Exposé print issues (1993-2011)
Showing items 3381 to 3390 of 8628
Seems like it was only a few of months ago that I was writing about Loafer’s Hollow… oh, it was. That album presented Mostly Other People Do the Killing as a...
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Craig Padilla has been composing long-form deep space epics for over twenty years, with over two dozen releases to his credit; his first release for the Spotted Peccary label was the ambient...
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When I first started forming my ideas about how music could be divided into styles or genres, I set the general body of rock above what I thought of as pop. It seemed clear that any above-average...
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Over the passage of time, since the late 80s, bassist and multi-instrumentalist Yoh Ohyama has led two distinct versions of Asturias, although the early albums made no distinction because the...
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For the attentive reader of Exposé, pianist, composer and bandleader Satoko Fujii needs no introduction; her work in jazz, classical, and free improv has been documented and...
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Last year saw the release of David Fiuczynski’s second album of microtonal jazz with global influences and collaborators. Flam! Blam! Pan-Asian MicroJam! was both a fascinating...
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Let it never be said that Opposite Day are slacking in any respect. Since 2008 they have released a string of recordings that have honed their “math-pop” sound to a fine edge. What, you...
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Austin’s Sam Arnold and Opposite Day are back with a vengeance on their new album, I Calculate Great, their tenth album. Looking at the cover art, I surmise that a couple of panda...
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Here's a title I don't really need to relisten to to remember, having played it countless times in the past to the point of having it stamped in the memory. Hatfield were one of music's...
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For their newest album, Arabs in Aspic have diverged somewhat from the 70s hard-rock influences of their previous work, giving us instead three tracks of epic progressive rock. Over the course of...
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