Exposé print issues (1993-2011)
February 1998
80 Pages
Projekt Fest '97, Idiot Flesh & Buckethead, Bill Frisell Quintet, Marillion & Enchant, Exposé Concert Series, Strange Days '97, ProgDay '97, Providence, Volare, Thijs van Leer of Focus, Edhels/Marc Ceccotti, Djam Karet, 0.720 Aleacion, Eloy, Present, Zendik
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Mexico in the mid-80s was a fertile breeding ground for all kinds of new and unusual progressive music; bands like Iconoclasta, Nazca, Banda Elastica, Nirgal Vallis, Decibel, Delirium, and others...
» Read moreSupposedly the first show of their reunion and it shows, I saw them earlier this year, and that show was much much better than this disc, but I'll give 'em a break. They're one of my...
» Read moreThese two 60s compilations assembled by Birdsongs of the Mesozoic leader Erik Lindgren hew closer to the foundation of progressive rock than do better known, garage oriented anthology series such...
» Read moreThanks a lot — trying to sum up Alan Stivell's career in a paragraph is like summing up World War II in a book — there’s too much to say and where do you start? I have all...
» Read moreAlien Planetscapes proudly proclaim to be the oldest space rock band in America. An admirable distinction that at 17 years I certainly can't discount. The only argument I might present is that...
» Read moreWith a signature sound almost indescribable, Patrice Moullet is back with another Alpes release. Imagine a mad scientist living alone in the mountains, inventing, designing, and constructing his...
» Read moreModern power trios aren't a simple task to undertake in 1997. The basis for several of them usually combine late 60s aspects of Cream and Hendrix and 80s ingredients from Rush and Primus. These...
» Read moreThe most artistically inclined and prolific of all Genesis members past or present is (how ironic) also the least popular. Nevertheless Phillips has neither given up nor given in, as these two...
» Read moreCold rock, biting wind. Hooded figures traveling through dark caverns by torchlight. These are the images that come to mind as you listen to "The Opening of the Wound," the other kind of...
» Read moreTitle says it all, this is a compilation anthologizing six tracks from among their three albums. One might wonder exactly where the wisdom is in releasing an anthology so early in their career, but...
» Read moreDespite Art Zoyd's consistent member roster, it is worth noting that, like classical composers, they rarely collaborate. This soundtrack (their third, not counting commissions for ballet)...
» Read moreArt Zoyd's instrumental palette has been downsized in recent projects from its historical acoustic and electronic diversity, now relying primarily on samplers and synthesizers along with some...
» Read moreArt Zoyd's last release, Faust, established a high water mark in the genre of neo-classical...
» Read moreArtemiev is a Russian composer of electronic based music for films, theater, and television, having well over 60 scores to his credit. The music on these three discs was recorded over a period from...
» Read moreAnd what great years they were. Never heard any Ashra? Buy this! Sorry, I am biased, this is great stuff. If you don't know, Ash Ra is Manuel Göttsching, a phenomenal guitar player and...
» Read moreA Gothic Opera? This is some trippy stuff, my friends. Autumn Tears is Erika and Ted; Erika sings, Ted plays keyboards. Being an opera of sorts, there is a story with several characters. Erika is a...
» Read moreHow fast things can change! It was only a couple issues ago that we reviewed Bondage Fruit's...
» Read moreOne of Japan's most exciting groups, Bondage Fruit has done an utter turn around for this one, their third CD. From a highly vocal, Magma influenced band of near Koenji Hyakkei intensity, with...
» Read moreAfter Bondage Fruit II, it seemed this band was poised to continue the uphill climb to...
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