Exposé print issues (1993-2011)
March 1996
72 Pages
Progfest '95, Pekka Pohjola, Lost Vinyl update, Belle Antique label, Spotted Peccary Label, Nine Days Wonder, French TV, Deus Ex Machina, ArsNova, Clive Nolan on Arena, Jim Crichton of Saga (interview)
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The scene: A poolside bar at the Figueroa Hotel in Los Angeles. The time: late night Saturday, or actually early morning Sunday. Earlier, Japanese trio Ars Nova had just given their debut performance in the United States as part of the first day’s lineup for Progfest ‘95. The entire band is here, as well as their manager Mr. Numero Ueno, a translator, and at various times different members of the Exposé staff and friends. All the while, fans who caught their show are stopping by to get CDs and posters signed, and a couple of side conversations are going on between Ueno and others. » Read more
If Japan has the equivalent of a Happy the Man, Kenso is it. Their sound encompasses everything, from polished symphonic prog, to fusion, Canterbury, even touches of Japanese traditional music. The music is (with a couple of exceptions) entirely instrumental, melodically rich, highly spirited, and completely energized. They've been together since the late 70s, off and on, and the lineup has changed over time, but has always centered around guitarist Yoshihisa Shimizu. In addition to guitar, the lineup typically features dual keyboards, bass, and drums — and early on included a flautist as well. » Read more
An unlikely name for a collective of progressive musicians from Louisville, Kentucky, French TV is essentially bassist / bandleader Mike Sary and whoever he happens to be working with at any given point in time. From one album to the next, the high turnover rate in the lineup may, at first lead one to believe that French TV is more of a solo project — yet considering the time elapsed between recording of the band's four releases (nearly eight years in some cases), these are only snapshots of what has been a gradual change. » Read more
This is the third outing for the keyboard propelled duo of Rick Eddy and Tim Drumheller, collectively known as A Triggering Myth. For anyone familiar with their previous two efforts (a self-titled... » Read more
A Triggering Myth continues to be Tim Drumheller and Rick Eddy. So says the liner notes of this, their third album. Hailing from Massachusetts, the duo also continues to make music much the same as... » Read more
The third release from A Triggering Myth continues to showcase the talents of Tim Drumheller and Rick Eddy. Both are apparently keyboard players foremost, but between them, they manage to cover most... » Read more
It's should be pretty clear from the outside what you're in for on the inside. Front cover: is it Dracula walking away from his latest victim? Back cover: a graveyard! And inside the the booklet among... » Read more
The first major label release from former Soft Machine keyboardists Karl Jenkins and Mike Ratledge is a vocal/orchestral work based around varying Greek entitled themes. Having been out of the... » Read more
Together in one form or another since the mid-70s, Ain Soph is one of Japan's premier instrumental progressive bands, drawing their influence more from the Canterbury scene than the usual...
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This is the second album by Aksak Maboul, a.k.a. Marc Hollander and Vincent Kenis (though the latter’s involvement on this recording is rather limited) and whoever they happen to be playing with at... » Read more
For those of you still unfamiliar with the Canterbury musical legacy, Alan Gowen, a keyboardist of some renown, died of leukemia in 1981. In his short career, he notched up quite a few noteworthy...
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Swedish ensemble Älgarnas Trädgård in many ways were the Scandinavian equivalent of Pierrot Lunaire and were an incredibly unique and inventive group of musicians. Their sole album...
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Looking for some loud, heavy, angry, dissonant prog rock, sort of like 70s Crimson, but without all the soft parts? Well, look no more, Altered States is precisely what you need. Their music is...
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Anekdoten's eagerly anticipated sophomore effort proves to be a masterful development and refinement of their heavy and driving progressive sound. While Nucleus certainly adheres to...
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Especially after great shows at a couple of the Monster Prog shows in the last year or so, Anekdoten's follow up to the much heralded Vemod has surely been one of the most anticipated...
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Anekdoten seems to be one of the most well received groups of the new "progressive" resurgence. Their debut has evidently reached the five-digit sales mark and was given wide critical...
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Annie Haslam's third solo outing is about the best set of songs she's recorded since her last work with the band whose name is referenced in the title (though I'm not really certain...
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The problem with any collection by an artist as diverse as one-time Genesis guitarist Anthony Phillips is that, depending on the selection of material, the listener may come away with only a partial... » Read more
Little is known about Anthony Phillips' career between leaving Genesis and the appearance of The Geese and the Ghost. How ironic that a 1995 release would shed light on what he was up...
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Every time the subject of this Australian neo-progressive three-piece comes up, someone almost immediately says something negative about singer Les Dougan, along with something mildly complementary...
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