Exposé print issues (1993-2011)
February 2003
92 Pages
Phil Miller, Anglagard, Peter Frohmader, Proto-Kaw interview w/ Kerry Livgren & Lynn Meredith, Seattle Progman Cometh festival 2002, NearFest 02, ProgDay 02, Classic Rock Festival, ProgWest 02, Cattle Prog, Dave Kerman: The Further Adventures of Josh
Showing items 1 to 20 of 48
Exposé had the privilege of speaking to Canterbury veteran Phil Miller on the evening of August 17th at our vendor table inside Seattle's Moore Theater. Progman Cometh festival headliners Softworks (with Allan Holdsworth, Hugh Hopper) had nearly blown the top off the venue and Miller was in amicable mood to speak about his recent activities and specifically how he came to play in the Pacific Northwest for the first time in his long career. » Read more
For their latest effort, keyboardists Tim Drumheller and Rick Eddy present a single suite divided into eight parts, sometimes with no break between them. Part one starts quietly with a slightly jazzy,... » Read more
Arjen Lucassen is nothing if not prolific. His main project, Ayreon, has released six albums in the last seven years, including the two-disc concept album Universal Migrator in 2000, and...
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The re-emergence of the Italian progressive fusion sextet Arti & Mestieri continues with the release of an album of studio out-takes from 1972-1975. This might not normally arouse much...
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This three-song CD is intended as a sort of preview of Azigza’s upcoming full-length release, which should be out sometime in 2003, hopefully before too late in the year. I first heard this San... » Read more
These Japanese explorers find themselves in a rather minimalistic mood for their fifth release, presenting two long tracks of fairly sparse music. The title track is nearly thirty minutes of a very...
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Alchemic Universe is more or less the work of Joel Vandroogenbroeck (recording under the name of “Mystery Hologram A-U-rchestra”), with some spoken vocals by Carole Muriel. The...
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Brannan Lane is a Tennessee based composer & musician who works in the areas of Caribbean, world, floating ambient, and electronic music, as well as soundtracks. These three releases represent...
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Where on earth to start with these guys? Bubblemath is a vocals / guitar / keyboards / bass / drums quintet from Minnesota with the drummer doubling on vocals. The music is hard-edged progressive...
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Having had the benefit of seeing these guys up close in concert at Baja ‘02, their unique compositional perspective and instrumental brilliance made a lot more sense than what could be...
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Cabezas de Cera is a RIO-styled progressive trio from Mexico that was formed in 1995. Their second release is an adventurous and original outing that is bursting with chaotic, creative energy. The...
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Sometimes you like a band’s first disc so much that you actually fear certain disappointment with their second. Such is the case with me and CDC, but I'm thrilled to report that Un...
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Also known as the popular bootleg Famous Rock Dreams and the rarer Needles in the Camel s Eye, Gods of Light: 73-75 provides a deep view of the early live workings of the...
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Over the course of Five Fifteen’s previous albums, there has been a series of songs dealing with a character we can call the Golden Boy, a rock star going through the usual rock star things....
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So imagine the Fripp / Bruford / Wetton lineup of King Crimson getting getting into a big argument, getting really drunk (I know – it never would have happened, but imagine it) and cranking...
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Here’s a new twist on contemporary chamber music. Much of this CD sounds as if it were recorded by an ensemble of extremely gifted kindergartners. Composer Frank Pahl plays a wide variety of...
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Funkadelic’s self-titled debut album from 1970 shows the band in search of a style. There are still remnants of the 60s soul of their background, essentially expanding a kind of...
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For those of us that have been around a few years, Glass Hammer has been a steady reminder as to the state of the progressive rock genre and musicians’ passions to keep the flickering light alive.... » Read more
This CD documents two BBC concerts from 1974 and 1975 by the wonderfully eclectic medieval progressive band, Gryphon. The liner notes by guitarist Graeme Taylor tell the tale of a trio of lads in...
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For their last album (2000’s Must, reviewed in #22), Harv consisted of fiddlers Magnus Stinnerbom and Daniel Sandén-Warg, occasionally joined by all-star guests on acoustic...
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