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The Flamin' Groovies - Live 1971 San Francisco

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When Bill Graham closed the Fillmore West in 1971, there was a solid five days of concerts to honor the venue. Proto-punk garage rockers the Flamin’ Groovies were one of those acts. The band...

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(Posted by Henry Schneider 2017-07-27)

Deus Ex Machina - Equilibrismo da Insofferenza

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The recent release of Devoto was an opportunity to revisit the band's back catalog and compare...

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(Posted by Mike McLatchey 2017-07-27)

The Great Harry Hillman - Tilt

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Nope. There’s nobody in the band named Harry Hillman. The band is named after Harry Hillman, the American hurdler who won three gold medals in the 1904 Summer Olympics in St.Louis. The band...

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(Posted by Peter Thelen 2017-07-26)

Pixie Ninja - Ultrasound

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Pixie Ninja is yet another in the succession of recent bands from Norway who approach progressive rock in a distinctive way. The group was formed by two multi-instrumentalists, Jostein Haugen and...

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(Posted by Jon Davis 2017-07-25)

Hanford Reach - Canyons

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When Brooklyn’s Sky Picnic dissolved in late summer 2016, band members Chris Sherman (guitar, vocals, drums, and synths) and Leah Cinnamon (bass, vocals, and percussion) decided to continue...

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(Posted by Henry Schneider 2017-07-24)

Latest features

Chasing the Exhilarating Foreboding —
The Jack o' the Clock Interview

Cover art For about ten years now, Jack o' the Clock has been turning heads and ears with their singular style of music, which takes in elements of classical music, folk, and rock, combining them with a heavy dose of "It's so crazy it just might work!" Leader Damon Waitkus has assembled an ensemble who demonstrate that formal musical education does not always kill creativity, blending bass guitar and drum kit with violin, bassoon, hammer dulcimer, and countless other instruments common and obscure.  » Read more
(Posted by Jon Davis 2017-05-09)

Accessible Complexity from Tiny Seeds —
The Human Ottoman Interview

Cover art As if we needed more proof that creative music can spring up outside the so-called cultural centers of the country, we have Human Ottoman, a trio from Portland, Oregon. Grouping together drum kit, vibraphone, and cello is unconventional enough, but they take it to another level by writing music that contains elements of jazz, rock, and electronics combined with reckless abandon and an adventurous spirit. To say they sound like no other band is not hyperbole, but simple statement of fact.  » Read more
(Posted by Jon Davis 2017-04-14)

Craft in an Age of Disposable Culture —
Stick Men in Seattle, 2017

Cover art I suppose there are many contenders for the title of Hardest Working Band, but luckily that’s not a real contest, and certainly hard work alone is no gauge of worthiness. Since Stick Men got started as a development of Tony Levin’s Stick Man album ten years ago, the band has kept the new material coming, with studio and live releases getting into double digits (depending on how you count multiple versions of some of the live albums).  » Read more
(Posted by Jon Davis 2017-02-10)

Interconnectedness and Dynamic Grit —
The Mount Pressmore Interview

Cover art In Austin's current crop of progressive-leaning bands, Mount Pressmore stands a little closer to the melodic indie-rock side than some, but their music is subtle and complex in small ways, reflecting the vision of leader, keyboardist, vocalist, and chief composer Thomas Shaw. I conducted an email interview with him, touching on the band's history and future, and what's so special about the Rhodes electric piano.  » Read more
(Posted by Jon Davis 2016-11-26)

An Open-Minded Approach to Music —
The Aaron Clift Interview

Cover art Deep in the heart of Texas is a growing community of bands and musicians pushing the boundaries of music and rejuvenating progressive rock. Expose is in the forefront in elevating the visibility of these bands to our readership through reviews, sponsoring the now annual Voyager Fest, and band interviews. For this latest installment, I have had the pleasure of interviewing the mastermind behind the Aaron Clift Experiment, Aaron Clift himself in advance of the Holiday Charity Rocktacular on December 3, 2016. I would have preferred to sit down at one of Austin’s relaxed outdoor venues for this interview, but work forced me to conduct the interview via email.  » Read more
(Posted by Henry Schneider 2016-11-22)


Listen & discover



Print issues

Latest news

2017-07-27
Yestival Dates Beef up the Beat – Word reaches us that Dylan Howe (son of guitarist Steve Howe) will be joining Yes on their "Yestival" tour, drumming alongside longtime band member Alan White. » Read more

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more


Previously in Exposé...

Chris Béya Atoll - Illian, J’entends gronder la Terre – There are several reasons to expect the worst from this release. Many “reunions” and “reformations” of bands from the 70s have not turned out well; a look at the credits shows...  (2005) » Read more

Luminos - Seize the Day – Seize the Day is the debut from this quartet from northeastern England. Musically, they fall roughly into the same realm of symphonic- and neo-prog-lite as Guy Manning or Mostly Autumn (sans Celtic...  (2005) » Read more

Carpe Diem - Cueille le Jour – Unjustifiably overlooked, Cueille de Jour is the follow-up to this quintet's monster debut — and an outstanding representation of the best that France had to offer in the seventies. Their highly...  (1995) » Read more

Spring Heel Jack - Treader – You might think that the modern sounds of drum & bass are not the territory of Exposé writers, that there is no cross-reference point. Shouldn't we put head into the sand simply to...  (2000) » Read more

James Blood Ulmer - Blue Blood – One of the things about blues music that always loses my interest is the relative lack of harmonic sophistication: the blues almost by definition stick to a set of three or four chords for each key,...  (2002) » Read more