Exposé print issues (1993-2011)
March 1996
72 Pages
Progfest '95, Pekka Pohjola, Lost Vinyl update, Belle Antique label, Spotted Peccary Label, Nine Days Wonder, French TV, Deus Ex Machina, ArsNova, Clive Nolan on Arena, Jim Crichton of Saga (interview)
Showing items 161 to 180 of 212
Shingetsu was one of the classic Japanese symphonic bands, and their self titled Shingetsu album from 1979 is highly regarded, and often compared to classic period Genesis, if only for the...
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Silberbart were a German trio in the early Guru Guru vein, a bass-drums-guitar combination with an eye for the psychedelic. If you're familiar with Guru Guru albums such as Hinten or...
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The rumors are true. It has now been mathematically proven that every person in Sweden does, in fact, own a Mellotron. They all bought them about ten to fifteen years ago from Americans who...
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For those who know Steensland from his earlier release Lonesome Combat Ensemble on Musea, it will only take a couple minutes of this latest release to figure out that he's turned the energy... » Read more
Sixty Nine were an unusual "group" being only a duo of keyboards and drums. For these limitations, Sixty Nine made a pretty big sound, a combination of influences that on the more mundane...
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Skozey Fetisch AKA Mark C. Jackman is both an experimental composer and a visual artist working with oils and canvas. Momma:Key, Jackman's debut release, contains 31 songs, most under...
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If you want to wax nostalgic and hearken back to an era where a faction of psychedelic music was metamorphosing into progressive rock, you might want to check out Smell of Incense. This is not a... » Read more
Another Canterbury related release makes its way to the surface. This disc is mostly a posthumous release from a live set in 1982 when guitarist Mark Hewins replaced the then recently deceased Alan ... » Read more
Oh yeah! More gold mined from the Soft Machine treasure troves! Softs re-releases are innumerable between the UK and USA in the past two years (and will continue to be through 1996), but somehow... » Read more
Jazz. For some reason, this genre of music tends to send many "prog" fans screaming for cover. I've always found this strange considering a lot of jazz (especially from the 60s) was a...
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John Livengood may be better known for his recent collaborations with Richard Pinhas, but this was his electronic duo back in the late 70s, joined by Ivan Coaquette on guitars and bass. Their...
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There's plenty of good reasons why this is one of the last Spirit albums to receive the digital treatment. After Sardonicus (or more properly during Sardonicus), most of the original... » Read more
I'm an unabashed admirer of practically everything Steve Roach does nowadays as his ambient voyages are amazingly evocative and year after year he continues to produce great music. This collaboration... » Read more
At long last! Finally the eponymous first album by Minnesota guitarist Steve Tibbetts has been reissued. Folks familiar only with his work of late may be a little surprised by the flowing acoustic...
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Serenity... calm... stillness... These are the virtues most strongly imbued in the music of Takami's first recording Y. de Noir II, an album that is almost completely dominated by...
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Their logo looks like the Gentle Giant guy got a hair transplant and was so happy that he shaved his beard. Pretty cool! At any rate, Ten Ton Tide's album is an interesting combination of...
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If there is one song that exemplifies the best character of the warm, romantic and melodically colorful side of French symphonic progressive rock, it has to be "Conte en Vert," the second...
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Imagine the following sonic configurations: voice, acoustic guitar, alto recorder, fretless bass, and tabla; accoustic guitar, soprano sax, tenor recorder, oboe, double bass, and cymbals; a full...
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What we have here is basically a romp down memory lane by the members (mostly) of Frank Zappa's 1988 touring band ("Make a Jazz Noise Here", "The Best Band You've Never Seen...
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Every now and then something comes along that's so unusual or revolutionary that one has to stand up and take note. What's revolutionary about this album is not so much the music, but how...
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