Exposé print issues (1993-2011)
Summer 2011
92 Pages
David Willey feature, Markus Reuter interview (part 2), Manooghi Hi, Uwe Cremer / Level Pi, vacuum Tree Head, Fruits de Mer Records, Spectrum Road, Michel Besset & The RIO Festival, Garden of Delights label
Showing items 61 to 80 of 192
Flood is a one man band who plays all the instruments (acoustic guitar, keyboards and clarinet, among others) on this CD which gives us four tunes, one for each season. The entire CD is a tranquil...
» Read moreIt’s a big world, and many people are free to move around it, so something like a “Dutch Afro-Caribbean” jazz band shouldn’t be too unexpected, I suppose. And given this...
» Read moreThis is the tenth album by bassist Mike Sary and company, which this time (for the most part) includes ex-Boud Deun / current Prester John guitarist Shawn Persinger, drummer Jeff Gard, Adam Huffer...
» Read moreFrequency Drift is primarily the effort of German keyboardist Andreas Hack, though he’s joined by a large group of supporting players that includes three female vocalists, three guitar...
» Read moreGaraj Mahal takes some of the classic elements of 70s fusion and makes them work in today’s musical climate. While the music is sometimes on the funky side of rhythm, the jazz feel always...
» Read moreGary DiBenedetto is an electro-acoustic composer from New York and Twin Towers is his effort to present a compilation of radical and controversial sonic collages designed to imply...
» Read moreThe idea of Jan Hammer and Allan Holdsworth playing together on a single recording (likely a fantasy of fusion fans everywhere) has come to pass on this new album from Gary Husband. Husband’s...
» Read moreSeven bopping tunes of a highly improvisational nature are gathered together on this recording by the sterling quartet of Theo Travis on saxophones and flute; Tim Motzer on guitar, keyboards,...
» Read moreNovember 20th, 2007 is the date, one of three shows in Brazil that year. Daevid Allen and Josh Pollock (University of Errors) are joined by a number of Brazilian musicians (members of the Invisible...
» Read moreHere we have a set of live improvisations with Gunda Gottschalk, a German violinist, and Xu Fengxia, a Chinese guzheng player; both of them also provide vocal sounds. The guzheng is an ancient...
» Read moreAt hand we have the second and third releases by Haiku Funeral. The nine tracks of Assassination in the Hashish Cathedral explore dark grotesque soundworlds, laced with disturbing gothic...
» Read moreThis is Toronto quartet Half Past Four’s first full-length album that isn’t a movie score (2007’s The Mad). A variety of genres are melded here, including art,...
» Read moreSince their 2008 debut CD, this band from Inner Mongolia (currently resident in Beijing) has become a world music festival favorite, playing WOMAD, among others. That release blended the earthy...
» Read moreThis Seattle-based band takes an interesting turn away from standard guitar power trio sounds. Certainly more complex (especially rhythmically) than your standard rock fare, they haven’t...
» Read moreGaber’s 65-minute piece for “multi-track violin, processed alto flute and tape” is, to get metaphorical (which is about the only way to really describe music), an abstract...
» Read moreThis audio-visual work is constructed from hyper-realistic depictions of populated and empty urban landscapes. Repeated stills with captions and numerals or replays of simple events seem like a...
» Read moreSeattle may be most famous for its noisy rock, but there seems to be a crop of bands with expanded instrumentation and more melodic intentions. Case in point: Hey Marseilles. Their brand of...
» Read moreThese are the most recent changes made to artists, releases, and articles.