Exposé print issues (1993-2011)
Showing items 1 to 10 of 10039
I love it when a musician known for one kind of music ventures into a different style and manages to nail it. My view that genre labels mean nothing is reinforced when, for example, a saxophonist...
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The free cosmic music that pianist Satoko Fujii and bassist / flutist Joe Fonda create together is at once magical and liberating, feelings that are easily convered by the musicians as they work...
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Care of the Cow was a trio based out of Chicago in the early 80s who played a fascinating blend of psychedelic folk, minimal electronics, and post punk weirdness. Their second album,...
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Dávid Makó is a Hungarian singer who has worked in a couple of metal bands I’ve never heard — Stereochrist and HAW — but The Devil’s Trade is his entirely solo...
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With Separation Songs, upstate-New York based composer, guitarist, music technologist, and audio engineer Matt Sargent makes his first appearance in the pages of Exposé....
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Winding the clock back to 1966 in Lexington, Kentucky, a group of friends at the University of Kentucky got together to form the garage-psych band One of Hours. They released their first 45,...
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My last encounter with Rhys Marsh’s solo career was Sentiment (2014), which was a lovely set of...
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For a number of years, composer Michael Byron has been on Exposé’s radar, beginning with his 2003 full length release Awakening at the Inn of the Birds, and more...
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In 2015 the Russian extraterrestrial band Lunar Cape released their debut album, Just Lunatics....
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Unlike this trio’s last outing, Loneliness Road (2017), You Don’t Know the Life ventures out of the piano trio mold with other keyboard instruments in the mix, mostly...
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