Exposé print issues (1993-2011)
Showing items 9521 to 9530 of 11668
Debut albums from obtuse solo acts can be difficult to ascertain on the surface. The first few listens of this disc from the Toronto based artist sound very much like an alternative to some of the... » Read more
Spotted Peccary is a label that seems to have evolved its own sound, which consists of a slightly more accessible and melodic approach to ambient space music. Deborah Martin is a synthesist, like...
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The roots of Canterbury lie in albums such as Fools Meeting, an LP which has been unavailable for many years only now surfacing on the Cuneiform label. The album is particularly notable...
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With the band having recorded little and performed even less in the past five years or so, questions existed about the ability of Djam Karet to deliver the goods in concert. Those who were present...
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For their second full length release this British quintet has shed some of their harder rock approach and gone for a more keyboard heavy neo-progressive style, not unlike bands like IQ and...
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El Reloj is an Argentine group influenced by the more harder rocking bands of the early 70s like Deep Purple and Led Zeppelin. Their sound on their first album is a dual-guitar rock that keeps a...
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This one sounded quite promising... a mixture of flamenco and fusion? With a wonderful heritage of bands such as Iceberg, Triana, Guadalquivir, and Gotic the Spanish fusion scene has been extremely... » Read more
This recording is special for a couple of reasons: it features the first commercially released recording of "Pendulum Music" (in fact, there are three different versions herein), as well...
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Ensemble Nimbus plays a sort of electric-acoustic chamber music. Percussionist Hasse Bruniusson of The Flower Kings and Sammla Mammas Manna is joined by Håkan Almkvist on guitar and other...
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Legend has it that Tommy Grenas (keyboards, vocals) was abducted by aliens when a small boy on an Irish potato farm. Though that would certainly explain some of his more questionable terrestrial...
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