Exposé print issues (1993-2011)
Showing items 8041 to 8050 of 11453
Saying Israeli composer and vocalist Meira Asher is a vanguard comes as a bit of an understatement. Her work has been acclaimed worldwide as she meshes and scrutinizes world culture to fit her... » Read more
Menayari are three piece act who hail from Puerto Rico, a location not previously known as a stronghold of progressive rock. Futura Historia finds the group in an incarnation with female... » Read more
Michael Manring is simply one of the best bassists playing today. You should have heard about him from his many contributions to new age recordings in the 80s to fusion workouts with Attention...
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Three guitars and a bass, no drums, no keyboards and no vocals, all intertwined. And a perfect title to describe what’s going on here across these eleven short to mid-length tracks. This is... » Read more
Solo piano records can be a strong romantic but minimalist statement depending on the performer and how personal he would like to make it. Froom’s biography reads like a who’s-who of modern pop... » Read more
“Balkan Dawn” opens the disc in fine, atmospheric form, and shortly we’re treated to the unique sound of an Ashbory bass. This rather bizarre instrument is a 30-inch, two-pound...
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Automaton2 is Murat Ses’ fourth solo release. For those of you not familiar with Murat and his work, Murat is a Turkish electronic musician living in Austria. He spent some time...
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Industrial electronics bearing a modern classical edge for a dark millennium with trip-hop at its heels. Synthetic landscapes give way as the tone is propulsively jettisoned to a danceable future....
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Myriad is a power trio who hail from Whitestone, New York. Fronted by vocalist and guitarist Fred Moehring, the trio captures a general feel much like Rush’s A Farewell to Kings era due in... » Read more
Recorded in April 2004 at a studio space in Munich, these ten psychedelic jam tracks show the band at the peak of their intensity, working in a true improvisational spirit. Led by bassist Peter...
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