Exposé print issues (1993-2011)
Showing items 6191 to 6200 of 8632
Umphrey’s McGee occupies one of those favorable music niches somewhere between late era Phish and the Dave Mathews Band. The jam band moniker has been a complete benefit for the six-piece act as the... » Read more
Sophisticated jazz and fusion is an art form unto itself having been perfected to a certain degree by acts such as the Crusaders, Yellowjackets, and Russ Freeman. Part of Turning Point’s local... » Read more
It makes perfect sense that Uruguay would not be just another blip on the radar of finesse jazz and rock players. Brothers Jorge and Hugo Fattoruso have been playing various Latin and jazz styles for... » Read more
For his fourth solo effort, Flower Kings keyboard player Tomas Bodin takes a more autobiographical approach, using theatrically conceptual albums like Pink Floyd’s The Wall and Pain...
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On his previous recordings Where the Earth Meets the Sky and On the Sensations of Tone (reviewed in #23 and #26 respectively), Heasley’s floating ambient epics were created...
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Tod Dockstader is one of the grand old men of electro-acoustic music, and on Bijou he is teamed with David Lee Myers, who performs on “feedback machines.” From the cover to the...
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The French seem to have a lock on dark symphonic prog these days (see Nil elsewhere this issue) — or maybe it’s just those two guys named Maurin (David on guitar and Samuel on bass and...
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I got the Thirteen of Everything demo back in 2002, so this one has been a long time in coming. A quartet out of Texas with guitars, keyboards, basses, and drums, Thirteen of Everything have sonic...
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The Van Allen Belt is the moniker taken by composer Troy Paiva, who wrote and performed ten tracks with Apple software packages that emulate basic rock and roll band instrumentation. Initial... » Read more
I found the Underground Railroad’s debut CD to be an uneven affair. Some parts were very good, others less interesting, and in general, the band seemed to be in search of a direction. With...
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