Exposé print issues (1993-2011)
April 2002
84 Pages
Maudlin of The Well, Paranoise, Roger Eno, John Etheridge, Sven Grunberg, La Torre Dell'Alchimista, Tunnels & Nuove Musiche, ProgWest 2001, Progressive Projections, CD: BayProg Sampler
Showing items 21 to 40 of 107
To paraphrase Isaac Newton: for each number of Exposé, there is a CD released by Germán Bringas. Everything he puts out finds him in different guise: avant pop, big band...
» Read moreThe early exploits of Giles, Giles and Fripp have always been a footnote considering the impact of the first King Crimson album on unsuspecting English and US audiences. Their only album, The...
» Read moreMusically, Gongzilla is the branch of the Gong family tree which favors instrumental fusion with heavy guitar and vibraphone. Historically, Gongzilla is the descendent of Pierre Merlin’s Gong...
» Read moreGraham Collier has been a consistent fixture on the UK jazz scene as composer, player, and young talent advocate since the early 60s. Being the first British jazz player to be awarded a grant for...
» Read moreI have a tendency to run screaming from new prog albums with 60-minute tracks, but coming from the metal scene, a 60-minute track is a rare and often fascinating excursion. I guess it all depends...
» Read moreFor this release, the “band” Greenwall consists entirely of keyboardist / programmer Andrea Pavoni. The tracks were all composed from 1994 to 1998, and comprise an interesting spectrum...
» Read moreAwake Like Sleep is a lazy psychedelic exploration of interior spaces, and comes off a bit like a very introverted Meddle-era Pink Floyd without lead guitar. Greg Weeks has a soft...
» Read moreWe were hideously late reviewing this fine ensemble’s debut recording, Mare Crisium (released in 1998, our review in the last issue). Hopefully we make up for it this time!...
» Read moreOne of the things about blues music that always loses my interest is the relative lack of harmonic sophistication: the blues almost by definition stick to a set of three or four chords for each...
» Read moreJames Johnson is one of ambient music’s most prolific collaborators nowadays, and as I write this, a 2 CD set with Vir Unis is also now available. The first of the two CDs in question here,...
» Read moreIn Focus, Jan Akkerman was one of the most interesting and distinctive rock guitarists of the 70s, and with this solo album, originally released in 1973, he showed an amazing range. Six of the ten...
» Read moreI’m probably not unique in my history with Jean-Luc Ponty. I discovered his inventive, melodic jazz-fusion violin playing with his albums of the 70s like Enigmatic Ocean and...
» Read morePonty has staked out a claim over the past 30 years as fusion’s best-known violinist, and he has made numerous albums that belong in the Fusion Hall of Fame (if such a thing existed). He has...
» Read moreBassist Jeff Johnson is one of the regulars in the Origin Records stable, and these two releases see him as leader, first of a trio with drummer Billy Mintz and reedman Hans Teuber, then with a...
» Read moreWith this collection of seventeen tracks, John Greaves forgoes his skill for obtuse arrangements and bawdy bass playing for a strictly vocal pass through latenight torch singer terrain. Assisted by...
» Read moreJohn Martyn has been writing personal songs and singing them in his inimitable style for quite some time now, and while he has never become the household name that Van Morrison or Joe Cocker has,...
» Read moreKeyboard wizard Rudess has come up with a chop-filled progressive / fusion outing that should be extremely enticing to fans of the genre. The basic “band” is the remarkable Terry Bozzio...
» Read moreAn all-star cast that includes guitarists Steve Morse and John Petrucci, drummer Terry Bozzio, bassist Billy Sheehan, and violinist Mark Wood joins Jordan Rudess for his latest release —...
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