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Not just outside the box, but denying the existence of boxes.
Covering music from the fringes since 1993.

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Showing items 8541 to 8550 of 11666

Brannan Lane / Ashera - Sextant

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Why is it that I always end up reviewing CDs like this late at night? In fact I’ll probably be conked out long before the disc is finished; fortunately I’ve been playing this one at...

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(Posted by Peter Thelen 2003-12-01)

Brazelton / Naphtali - What Is It Like to Be a Bat?

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The opening tracks offer sweet bits of melodic a capella and seemingly lighthearted lyrics mixed with grinding industrial guitars, experimental ambient bits and noisy cacaphonic interludes, all...

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(Posted by Peter Thelen 2003-12-01)

Brian Auger's Oblivion Express - Happiness Heartaches

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The latter incarnation of Oblivion Express (led by Hammond B3 player extraordinaire Brian Auger) was characterized by soulful blues-rock, percussion, and danceable grooves. Ex-Return to Forever...

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(Posted by Jeff Melton 2003-12-01)

Cast - Al-Bandaluz

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By this time, many readers will know what to expect from Mexico's Cast: complex, keyboard-heavy neo-progressive with lots of odd meters. They've stuck to that for what seems like twenty or...

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(Posted by Jon Davis 2003-12-01)

Cherno - Missing Illusion, Trigonometric Reactor & Slight Trick All Around

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At its core, Cherno is the duo of Shin Sugawara (sax, wind synth) and Junichi Kishimoto (guitar, guitar synths, drum programming), sometimes joined by other players, track and disc depending...

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(Posted by Peter Thelen 2003-12-01)

Clear Light - Clear Light

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Other West Coast bands like the Doors, Love, and Jefferson Airplane may have grabbed center stage in the history of the psychedelic era, but there were many others, and some of them rivaled the...

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(Posted by Jon Davis 2003-12-01)

Cobra High - Sunset in the Eye of the Hurricane

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I have learned to be wary when the mainstream press describes an artist as “progressive” – you never know what they really mean, since the vast majority of progressive music is...

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(Posted by Jon Davis 2003-12-01)

Curlew - Mercury

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For their tenth release (least as I count them), Curlew has pulled out all the stops. The free-wheeling instrumental jazz sound of earlier releases is still very much intact, often packaged with...

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(Posted by Peter Thelen 2003-12-01)

Curlew - North America

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The many incarnations of George Cartwright band Curlew took shape in the fusion wasteland of the early 80s. In parallel with the new release,

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(Posted by Jeff Melton 2003-12-01)

David Sancious and Tone - Transformation (The Speed of Love)

Cover art David Sancious came at the genre of jazz-rock fusion from a rather different direction than most of the key figures. Rather than coming into it as an established jazz player or from the progressive...  » Read more
(Posted by Jon Davis 2003-12-01)

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