Exposé print issues (1993-2011)
Showing items 4631 to 4640 of 11709
As if we needed more proof that creative music can spring up outside the so-called cultural centers of the country, we have Human Ottoman, a trio from Portland, Oregon. Grouping together drum kit, vibraphone, and cello is unconventional enough, but they take it to another level by writing music that contains elements of jazz, rock, and electronics combined with reckless abandon and an adventurous spirit. To say they sound like no other band is not hyperbole, but simple statement of fact. » Read more
There was always something a bit sinister, a bit weird, a bit occult, and a bit conspiratorial about Blue Öyster Cult and as a kid I just ate that up, in fact I'd guess BÖC probably...
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When a band has over 20 excellent all-instrumental releases, and you know them all well, it’s instinctive to compare any new release to those that have gone before it. The first thing one...
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During the five years prior to the wall coming down, East German musicians, painters, poets, filmmakers, and performers began to open up new territory, crossing genres and jumping back and forth...
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We’ve covered Glenn Branca in these pages before, but Rhys Chatham has so far avoided our attention. Like Branca, Chatham is a modern composer with elements of minimalism to his writing who...
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Italian ambient soundcrafter Montanà has released a number of albums since 2009, both solo and in collaborations, most are nearly impossible to find unless one seeks them out. In 2015,...
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Conrad Schnitzler was one prolific composer. Six years after his passing we are still presented with music from his archives. In 1975 he recorded a number of untitled pieces intended as soundtracks...
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I’m not going to complain about the years between Thinking Plague albums. The gap between In Extremis and A History of Madness was only five years, by far the shortest...
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Black Sabbath is undoubtedly as famous and as influential as any rock band out there, the progenitor of one, if not two or more, genres, but allow me the space, if not the sheer cheek at looking at...
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