Exposé Online banner

Jasun Martz — Solo Exhibition: Non-Finito
(Music Brut MB6181953-1, 2017, CD)

by Jon Davis, Published 2017-03-06

Solo Exhibition: Non-Finito Cover art

This career-spanning retrospective collection presents a dizzying variety of sounds from composer Jasun Martz. It serves as a sampler from his box set Solo Exhibition, which contains eight CDs of material spanning his entire career, back to the 60s with We the People and American Zoo. The sampler doesn’t go back quite that far, however, and starts with his experimental 1978 album The Pillory (which we’ve covered on its own). Non-Finito is organized thematically rather than chronologically, starting with “Orchestra” works, then moving through “Keyboard,” “Symphonic,” “Live,” and “Noise/Soundscapes/Cacophony.” The Orchestra section starts out with a slow-moving, moody piece called “Light,” featuring orchestra and choir. It’s decidedly in a modernist style, with ambiguous tonality, dissonance, and unpredictable melodies. “The Victory Fanfare (All Hail Victory)” is, as you might expect, heavy on the brass and percussion, and would work admirably on the soundtrack to an epic movie. “Knives” and “The Beginning” are in a similar vein. The Keyboard section is more intimate, and features Eddie Jobson on violin along with John Luttrell on clarinet and the composer himself on piano for a track called “In Light.” It’s a spirited piece of modern chamber music, full of dissonance and spritely flights of melodic fancy. The other Keyboard pieces are built around what sounds like a harmonium (“Lost & Found”) or pipe organ (“Dark,” which also features a choir). The Symphonic section contains excerpts from his three symphonies: 1, “The Pillory”; 2, “The Battle”; and 3, “Disintegration.” These excerpts range from 10 to 14 minutes, so you really do get a feel for what they’re like. They’re realized on a combination of keyboards, percussion, live instruments, and choir. The compositions are engaging and sophisticated, and I definitely find myself wishing to hear the complete works from which they’re excerpted. The final sections of the CD are where things get really interesting. The Live track is called “Amalgamation,” and it is assembled from three solo performances (St. Petersburg, Seoul, and Buenos Aires), and rather than editing them together sequentially, they are presented simultaneously, spread across the stereo spectrum. Given that the content of the music is essentially sound collages, the result is a sort of meta-collage, with musical and non-musical sounds coming out in a vast impressionistic cloud of varying density. “Erosion” finishes off the collection with another collage-like work, this one assembled from elements of “The Pillory” and “The Battle.” It comes off rather like a free-jazz orchestra augmented by electronics. Non-Finito presents a glimpse into Martz’s body of work, which is a vast and varied territory, and while it functions pretty well on its own, it also whets the appetite for the whole banquet (to mix metaphors) of the box set.


Filed under: Archives, 2017 releases

Related artist(s): Eddie Jobson, Jasun Martz, Hadley Kahn

Latest news

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more

2017-02-20
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more

2017-01-31
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more

2017-01-30
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Jack o' the Clock and Zero Times Everything, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more


Previously in Exposé...

Happy Rhodes - Many Worlds Are Born Tonight – Happy Rhodes is now at her eighth studio album, and it is her first to be released on a label other than her own Aural Gratification. Not that signing with Samson is exactly a move to the majors. This...  (1999) » Read more



Listen & discover



Print issues