Exposé print issues (1993-2011)
Showing items 4011 to 4020 of 11429
Over the passage of time, since the late 80s, bassist and multi-instrumentalist Yoh Ohyama has led two distinct versions of Asturias, although the early albums made no distinction because the...
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When I first started forming my ideas about how music could be divided into styles or genres, I set the general body of rock above what I thought of as pop. It seemed clear that any above-average...
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Last year saw the release of David Fiuczynski’s second album of microtonal jazz with global influences and collaborators. Flam! Blam! Pan-Asian MicroJam! was both a fascinating...
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For the attentive reader of Exposé, pianist, composer and bandleader Satoko Fujii needs no introduction; her work in jazz, classical, and free improv has been documented and...
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Austin’s Sam Arnold and Opposite Day are back with a vengeance on their new album, I Calculate Great, their tenth album. Looking at the cover art, I surmise that a couple of panda...
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Let it never be said that Opposite Day are slacking in any respect. Since 2008 they have released a string of recordings that have honed their “math-pop” sound to a fine edge. What, you...
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The two studio albums released by Hatfield and the North sit firmly in my mind as two of the highlights not just of the Canterbury scene, but of all music recorded in the 70s. They embody so many...
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Here's a title I don't really need to relisten to to remember, having played it countless times in the past to the point of having it stamped in the memory. Hatfield were one of music's...
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