Exposé print issues (1993-2011)
Showing items 731 to 740 of 1270
Geinoh Yamashirogumi, also known as the Yamashiro Group, is a Japanese choral group made up of amateur musicians who are a remarkable ensemble and perform the distinctive, compelling, and fantastic...
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The roots of Canterbury lie in albums such as Fools Meeting, an LP which has been unavailable for many years only now surfacing on the Cuneiform label. The album is particularly notable...
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Spotted Peccary is a label that seems to have evolved its own sound, which consists of a slightly more accessible and melodic approach to ambient space music. Deborah Martin is a synthesist, like...
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Here we have domestic releases of the consummate Krautrock band’s early albums. Though not as quotable to neo-Kraut hipsters as Can, Faust, Kraftwerk and Neu! — Ash Ra Tempel were...
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This is the first of about seven albums by this Danish five-piece. Their sound at this early juncture is a mix of nimble heavy organ progressive rock and trippy spacy, sometimes plodding,...
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In 1986, the first era of Synergy releases came to an end with Metropolitan Suite, which in some ways is the culmination of Larry Fast’s original musical vision. That does not make...
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Here are two more re-releases from electronic composer Larry Fast’s extensive Synergy legacy (see Expose #16 for reviews of the first five Synergy albums). Computer Experiments Volume...
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The Allman Brothers in their prime were no doubt one of the best American rock bands of the early 70s, covering a little bit of everything and doing it all extremely well — never a shortage...
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In a 1990 Wire magazine interview, Brian Eno described a work in progress involving the performance of his synthesizer compositions by the Kreisler Orchestra. This intriguing idea never...
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This is one of the year’s most anticipated reissues, an album in the zeuhl family by a French / Algerian ensemble with bassist Gérard Prévost. A late 70s group, Rahmann combined...
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