Exposé print issues (1993-2011)
Showing items 5601 to 5610 of 8443
Daniel Palomo Vinuesa is a French multi-instrumentalist (woodwinds, synths, tin whistle, and guitar) who began playing various saxophones in 1977 and gained notice from his first release Le...
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Yes' management has done a pretty good job documenting the various
incarnations of the group since the botched Keys to Ascension reunion
shows from 1996. Ensuring the classic line-up was... » Read more
If you thought the weird bits of Ummagumma weren’t weird enough, have I got a band for you. We’re mostly out in Residents territory, only with a psychedelic edge, and you can...
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Oh so much is expected of the electric guitar. It seems always to be trying to be something else and sound like something else. Not to belittle the new ground staked out by so many musicians, but...
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Viima is a Finnish four-piece, with vocals (female), keys / drums, bass, and guitar / flute. This is classic “proggy prog” but with female Finnish vocals. Vocals from different...
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In 1996 vidnaObmana recorded The River of Appearance, which was a
high point of his early compositional style. Employing samples, loops,
electronics, and sparse piano phrases, vidnaObmana... » Read more
Both Vidna Obmana and Alio Die are masters of dark ambient drone music. Echo Passage, a reissue of their 1999 release on Musica Maxima Magnetica, is one long track roughly 68 minutes in...
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Quebec’s Unicorn Records, founded in 1996, has been serving primarily as an outlet for Canadian prog-rock bands, though the roster has grown to include groups such as America’s Parallel...
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Experimental and Avant-Garde are words that should be used loosely for they reach far too wide. On the surface, that is evidently what we have here in this conglomeration of mainly Canadian...
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Given their influence on the genre, the Moody Blues are a great subject for progressive bands to cover and I’m surprised something like this hasn’t already been tried. But leave it to...
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