Exposé print issues (1993-2011)
October 1994
44 Pages
Culture, Creativity and Commerce: A perspective on the development of rock music, Ange megafeature, Progfest preview
Showing items 81 to 95 of 95
While Japan has always had its share of inventive new musics, the recent surge in this area has put the country on the map like never before. With Happy Family, Il Berlione, Ruins, Zypressen,...
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Hello... I'd like to report a Frank Zappa sighting — actually not a visual sighting, but after hearing the first few minutes of this debut disc by Japan's Tipographica, I'm convinced that Zappa's... » Read more
The Japanese progressive rock scene in the 90s in general has taken a remarkable turn towards a more innovative and unique styling. In the latter half of the 80s, the Japanese focus was on the more... » Read more
Torn Curtain is the debut effort by former Mauve Sideshow keyboard wizard Dusty Lee and his new vocalist Sheila. Consisting of the four songs "Daymare," "Creatures," "Twilite," and "Dawn," their self... » Read more
The two instrumentals that open this latest album by U Totem set the stage and tone for the remainder of the music on the album, an artfully crafted avant-garde rock blended with elements of... » Read more
This, the long awaited follow-up to U Totem's eponymous debut, features the band's original lineup (Sanjay Kumar, Dave Kerman, Eric Johnson, Emily Hay, and James Grigsby) as well as...
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Strange Attractors is the second CD from this West Coast ensemble whose 1991 self-titled debut remains one of the best avant-garde/RIO styled albums of the 90s. U Totem takes a strongly...
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Legend has it that the idea for Urban Sax came into being around 1973, when the town of Menton in the south of France commissioned Gilbert Artman to reverberate the town with four amplified fixed...
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The first I'd ever heard of this Czechoslovakian sextet was a tape someone sent to me last year of their first (1990) album Uprostřed Slov. I was suitably impressed with their twisted... » Read more
Ed Van Otterdijk (spelled Otterdyke here) is a Dutch multi-instrumentalist who released this one self-produced album on WEA in 1984 as part of a three album deal. The music straddled the line between... » Read more
In the history of French rock, two names stand out among all others in terms of leadership, originality of style, and influence over all that would follow. Magma's contribution is well known,...
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Japanese progressive compilations are always an interesting listen, and this one's no exception — a collection of groups that never made an album but performed live in Tokyo in what sounds like the... » Read more
Apparently this is the Canadian band's third album. I was quite impressed initially by my first taste of this album, namely, the 14-minute opening medley "Emergence/Sweet Perdition." "Emergence" is an... » Read more
Von Zamla is another incarnation of the zany Samla Mammas Manna, who recorded two albums under the name for Urspar (this one being the first) before breaking up in the early 80s. Von Zamla's four... » Read more
Wapassou was a unique classically influenced French band that existed from around 1971 through the mid-80s (their last release was in 1986). These three — their second, third and fourth...
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