Wapassou — Ludwig (Un Roi pour L'Eternité)
(Musea FGBG 4113.AR, 1978/1994, CD)
Wapassou — Messe en Ré Mineur
(Musea FGBG 4111.AR, 1976/1994, CD)
Wapassou — Salammbô
(Musea FGBG 4112.AR, 1977/1994, CD)
by Henry Schneider, 2016-04-04:
Originally recorded in July 1976 Messe en ré mineur is one of the best psychedelic / progressive releases of all time. This unsurpassed musical tour de force consists of one long song that constantly shifts and changes throughout its 40 minute life span. The music harkens back to the even more ancient music’s of Pink Floyd’s "Interstellar Overdrive" and Tangerine Dream’s cosmic freak-out "Ultima Thule." The interplay of Freddy Brua’s keyboards, Karin Nickerl’s guitar, Jacques Lichti’s violin, and Eurydice’s wordless chanting is exciting and innovative even by today’s standards. This reissue is a must for the adventurous music collector and listener alike. Musea faithfully reproduced the original album art on both the booklet and CD. Unfortunately, if you can’t read French you will be at a total loss regarding the liner notes and band history.
by Peter Thelen, 1994-10-01:
Wapassou was a unique classically influenced French band that existed from around 1971 through the mid-80s (their last release was in 1986). These three — their second, third and fourth albums respectively — represent what is generally accepted as the band's finest material. Their sound could be described as a gentle and perhaps understated symphonic rock, rich with color and cultural influences, elaborate and animated. The lineup consisted of Freddy Brua (bandleader and keyboards), Karin Nickerl (guitars), and Jacques Lichti (violin), plus guests on vocals. Fernand and Gisele Landmann (lights and sound, respectively) were also considered part of the lineup. No drums, no bass. This gave the band its unique character, which could in some terms be likened to Art Zoyd, but with a brighter and more colorful outlook, less angular and more flowing. Messe en Ré Mineur (Mass in D minor) is the most highly regarded of the three, containing one long forty-minute piece (for those who owned the LP version, the two sides have been properly joined) winding through many different themes and melodic developments, with ethereal vocals by Eurydice (no lyrics). It is at once delicate and stunning, a masterpiece of shimmering beauty.
With Salammbô, named for the heroine in the Flaubert novel, Wapassou move boldly forward based on the timeless theme of the stupidity of war. This one features an opening narration, galloping horses, some lyrics (in French) and vocals by Monique Fizelson. Musically, it's a step in a more assertive, less ethereal direction, and again consists essentially of one long suite in two parts, this time split at the sides (there was no fade-out / fade-in on the original LP ).
Ludwig, as might be expected, is the more overtly classically influenced of the three, and uses synthesizers to a greater degree than the previous two, as well as plenty of organs and keyboard bass, and vocals by Véronique Nickerl. Mostly consisting of one long piece "Un Roi pour Eternité" (now fused into one continuous 34 minute track), it also features a short cover of Wagner's "Lac de Starnberg," a shorter track, "L'Adieu du Roi," which features Marc Dolisi guesting on ARP synthesizer, and for good measure Musea has even included a bonus track, the six-minute "Hymne au Nouveau Romanticisme." Three great discs, all highly recommended, although folks addicted to the steady beat of rock drums might be advised to proceed with caution.
Related artist(s): Wapassou
Harold Budd RIP – Harold Budd, one of pre-eminent American composers of avant-garde and minimalism, has died of complications from the coronavirus. Budd came to prominence in the 70s, championed by Brian Eno on his Obscure Records label, with music that blended academic minimalism with electric jazz and electronic music. Much of Budd's best known work was done in collaboration with other artists, including Eno, Daniel Lanois, Robin Guthrie, Andy Partridge, John Foxx, Jah Wobble, and many others. » Read more
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more