Exposé Online banner

Urban Sax — Urban Sax
(EPM Musique FDC 1124, 1977/1993, CD)

Urban Sax — Fraction sur le Temps
(EPM Musique 982042, 1985/1991, CD)

Urban Sax — Spiral
(EPM Musique FDC 1125, 1991, CD)

by Peter Thelen, Published 1994-10-01

Urban Sax Cover artFraction sur le Temps Cover artSpiral Cover art

Legend has it that the idea for Urban Sax came into being around 1973, when the town of Menton in the south of France commissioned Gilbert Artman to reverberate the town with four amplified fixed frequency generators converging on a stage featuring eight saxophone players, as part of a promotion for a local classical music festival. The funds dried up before it ever happened, but the seed was planted. By 1976 Artman had assembled sixteen sax players that were interested in his ideas, and Urban Sax was officially born. When performing, the saxes were grouped together on separate stages, sometimes at fair distances to utilize the reverberation from nearby buildings, etc. to maximize the effect of the sound. The group later grew to thirty sax players, a mixture of altos, tenors, baritones, and basses, each player dressed in bizarre white outfits with masks and strange helmets, spread out over great distances, sometimes well beyond the line of sight. Eventually this necessitated the use of each player wearing FM radio receivers so that a central 'conductor' could give instructions. One of the most famous concerts was staged with groups of players at each station of the Paris Metro, the saxes reverberating down the walls of the subway from one station to the next. What? (You might be asking) Thirty saxophones? Keep in mind these are not thirty individual sax playes whipping out solos all at the same time, but instead something akin to a tightly controlled orchestra all working towards one goal, a single resultant sound, comparable in spirit to the massed guitars of Glenn Branca, but the end effect being closer to an acoustic answer to ambient electronic music, or early Tangerine Dream. Some comparisons to mid-period Art Zoyd could also be made on the later Urban Sax albums, where choirs are integrated into the sound. Waves of interference are set up between the saxes, one building on another, creating a total wall of sound that is both soothing and hypnotic, full of warmth and life.

The first Urban Sax record was released in 1978, utilizing sixteen players: one soprano and the rest split between altos and tenors. It contains two sidelong pieces called "Part One" and "Part Two." Similarly, the second album from '79 featured thirty saxes including two baritones and a bass, plus choirs and gong — the sound becoming more full and varied, and less foreboding. Again, it contained two sidelong pieces, this time "Part Three" and "Part Four." All of these first two albums have been reissued on a single CD, simply titled Urban Sax.

Although it wasn't mixed and released until 1985, Fraction sur le Temps was recorded in 1982, the lineup at that time having grown to thirty-eight saxes, a string quartet, four guitars, six percussionists, two keyboards, and a seventeen member choir. The music here, consisting of six shorter to mid-length pieces, is far more varied, offering the wider variety of sounds and textures available with the expanded lineup.

Spiral is a more recent album, again consisting of eight short to mid-length pieces, the major change being the prominence of the twenty-two piece choir, which shares the spotlight equally with the saxes, and three vibraphones, all which results in a far more ethereal and majestic sound than its predecessors.

All of these were briefly available around 1991, possibly in a limited edition run but were near impossible to find. Apparently this is a second edition which has been released in more sufficient quantities. The artwork and photos in the booklets give insight into the nature of the Urban Sax performances. For the beginner, I'd recommend Fraction sur le Temps as an ideal starting point, although every one of these is essential.


Filed under: Reissues, Issue 5, 1993 releases, 1977 recordings, 1991 releases, 1985 recordings

Related artist(s): Urban Sax

Latest news

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more

2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more

2019-03-25
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more


Previously in Exposé...

Änglagård - Epilog – Since Änglagård's superb 1992 debut Hybris, more than a few folks have been eagerly awaiting the follow-up effort from this magnificent Swedish ensemble. Everyone wondered — would they be able to...  (1995) » Read more



Listen & discover



Print issues