Exposé Online banner

U Totem — Strange Attractors
(Cuneiform Rune 66, 1994, CD)

by Peter Thelen, 1994-10-01:

Strange Attractors Cover art The two instrumentals that open this latest album by U Totem set the stage and tone for the remainder of the music on the album, an artfully crafted avant-garde rock blended with elements of neo-classical, jazz, Gothic, east and southeast Asian traditional music, and much more. For those not familiar with the genesis of this band, it developed out of collaborations between two L.A. area bands, the 5uu's and Motor Totemist Guild, around the time of the latter's Shapuno Zoo album. Shortly after, U Totem was born, featuring two members of each band. The band today is a six-piece featuring James Grigsby (bass, guitar, spoken voices), Emily Hay (flute, piccolo, lead voice), Sanjay Kumar (piano, keys, spoken voices), David Kerman (drums), Eric Johnson (bassoon), and most recently Steve Cade (guitar). There are many guests featured as well. Musically this is an outstanding effort, there is a little bit of everything here in a constantly changing carousel of styles and ideas — and like its predecessor (U Totem, 1990), it will take a few listens in order to get to know it, simply because there IS a lot going on here at many different levels, all very carefully arranged and played with intense precision. Yet this is friendly music, quirky at times, but easy to like and fairly accessible. It's not exactly rock, at least not in the conventional or typical sense, but progressive it certainly is. Like many Cuneiform releases, it's difficult to describe by comparisons, because it is fairly unique. For those listeners in the Saga/Marillion mode, this may be a little too adventurous for everyday listening, but I'd encourage you to give it a try anyway. Finally, the concept. While much of the music here is instrumental, all lyrics are directly from the story "Strange Attractors" written by James Grigsby, which occupies 20 pages of the booklet in fairly fine type. There are words in the story that correspond to songs that have no words ("Another June Sky," "Redskin," and "Agent White Fox," for example), and there is at least one song with Japanese lyrics ("Postcard") that appears nowhere in the booklet! So to avoid the confusion I'd recommend listening to the disc (as music) or reading the booklet (as a story), but don't try using the booklet to follow along.

by Rob Walker, 1994-10-01:

Strange Attractors is the second CD from this West Coast ensemble whose 1991 self-titled debut remains one of the best avant-garde/RIO styled albums of the 90s. U Totem takes a strongly modern, expressionistic approach to their music, which is full of harsh dissonances, fragmented themes, and wildly dissimilar stylistic influences. On their newest release, their top-notch musicianship has been augmented by the addition of a guitarist as the group's sixth member, and as always, their challenging and highly complex music contains a tantalizing assortment of musical treats waiting for those willing to dig in. Strange Attractors is effectively the soundtrack to bassist James Grigsby's novella of the same name. The music follows the text, included in the liner notes, with recurring themes which suddenly shift with the action and dialog, and fractionated melodies and atomistic rhythms which reflect the surreal atmosphere of the work. Compared to their first release, which, though strongly avant-garde, flowed quite well through the use of classical counterpoint and a relatively steady rhythmic pulse from the percussion, Strange Attractors proves to be a much more difficult listen due to the abundance of abrupt thematic transitions as well as the deconstruction of the basic musical elements. The albeit diluted rock influence that was present on their self-titled CD is all but gone here, as even more elements are incorporated from the diverse grab-bag of influences that U Totem draws from. Folk, popular, 20th century classical, and non-western musics are all represented, mixed up and combined in bizarre juxtapositions. The vocals have changed as well; the more traditional singing on the first album is replaced here by a Sprechstimme style which is used to declaim the significant amount of text in the novella. With the caliber of the personnel in U Totem, and their track record in their respective groups, the 5uu's and Motor Totemist Guild, one would hardly expect them to succumb to the sophomore jinx and produce a stagnant rehashing of old ideas. Still, its a pleasant surprise to see just how far they've progressed compositionally and stylistically since their initial collaboration. Collectively, the members of U Totem and its parent groups represent one of the brightest spots in contemporary progressive music. Check them out.

by Mike Borella, 1994-10-01:

This, the long awaited follow-up to U Totem's eponymous debut, features the band's original lineup (Sanjay Kumar, Dave Kerman, Eric Johnson, Emily Hay, and James Grigsby) as well as numerous guests, and musically follows in a similar vein. The main difference is that rather than a group effort, this recording seems to be a Grigsby solo album performed by U Totem. All lyrics and music are by Grigsby, which has given Strange Attractors a more uniform, less varied feel than the band's first. In fact, the album is based around a 20 page Grigsby novella which is included in the CD booklet. However, in terms of musicality and adventurousness, little is lost. Present is the expected interplay between Kumar's keys, Johnson's bassoon and Kerman's drums. Hay's voice is its distinctive self and Grigsby's bass playing is as strong as ever. Their sound is largely a more melodic and modern interpretation of Henry Cow / Art Bears eclecticism, with a nod to Zappa, 20th century classical, Indian and Middle-Eastern musics, and experimental jazz. Perhaps the only downsides to this effort is that parts sound all to similar to that of the first U Totem, and overall it lacks the emotionally powerful pieces of that album. The approach is rather dry at times, perhaps too insistent on telling the story of the novella than on writing music for its own sake. Still, to these ears, this is one of the strongest releases of 1994, and despite moments where I would have preferred a higher degree of complexity, I have to give it an enthusiastic thumbs-up.

Filed under: New releases , Issue 5 , 1994 releases

Related artist(s): Dave Kerman, U Totem

More info

Latest news

2018-05-14
Glenn Branca RIP – Experimental guitarist and composer Glenn Branca has died at the age of 69. He was known for compositions featuring large ensembles of guitars, and for the use of feedback. He founded his band Theoretical Girls in the mid-70s as an art-punk answer to what he saw as the increasing commercialization of punk music. His compositions were highly influential, with such figures as David Bowie, Thurston Moore, and John Lurie among his fans. » Read more

2018-04-05
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more

2018-03-01
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more

2018-02-26
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more


Previously in Exposé...

Cyan - Pictures from the Other Side – Take two moderately decent, although thoroughly modern sounding 10+ minute rock opuses, and sandwich a bunch of mediocre-at-best pop tracks between them, and you come up with something like this...  (1994) » Read more

Mari Boine - Eight Seasons & Remixed – NorthSide’s releases of Wimme’s CDs have provided the most visible presence of Sami music in North America, but Mari Boine has been recording longer, and is fairly well known in the world music...  (2003) » Read more

Daniel J - Losing Time – Daniel J (Jakubovic) is the lead guitarist of gigging New York based metal quartet Against the Wall. The young fret-bender adopts a mode of self-reliance in the course of thirteen tracks of prog metal...  (2006) » Read more

Magma - Mekanïk Kommandöh – Recorded several months before the album Mekanïk Destruktïw Kommandöh, but not released until 1989, Mekanïk Kommandöh is an interesting early version of this Vander...  (1995) » Read more

Mediæval Bæbes - Mirabilis – Collecting eight women into a chorus to perform English folk classics and traditional music is nothing new. What the Mediæval Bæbes do differently however is based on their capable...  (2006) » Read more



Listen & discover



Print issues