Exposé print issues (1993-2011)
Showing items 1 to 10 of 10029
Le Orme should win a prize for Most Consistent Band. From Felona e Sorona through to Il Fiume and now with L’Infinito, there’s an unmistakable continuity in...
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This album represents the intersection of a number of trends going on in Italy at the time it was made. One was for rock bands to adopt Classical forms, sometimes even involving actual orchestras (New... » Read more
Oz Noy is another new guitarist to Exposé readers as he has lately been operating in a support role backing trumpeter Chris Botti (B.L.U.E.), as well as vocalists such as Toni...
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What an opener for an album! I’m talking about “The Sprawl.” Fine sounds, imaginative sequencing, nimble-fingered playing, stunning composition. Ozone Player is a composer from...
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Stack rib rack shack shakes a hook a lox, Pak burns with nervy verve enough to crackle their dense skein right out in the open, amidst solar flares. A stalwart trio with brio, knowing full well how...
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Since their return to active duty in 1999, Scottish neo-proggers Pallas have been working hard to establish themselves as a front line act. Their recent NEARfest appearance helped in that regard,... » Read more
Ellis was a bit tired of doing all things alone each time, so for his fourth solo album, he looked for outside sources and found them in friends and acquaintances. In fact he was so enthusiastic...
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In the last issue I covered the reissue of the two strange albums (Apache and Inca) credited to Maitreya Kali, who, it is now known, was Craig Smith, formerly of an obscure LA psych... » Read more
Phaesis from France is no new band, in fact they can celebrate their 25th anniversary in a few years time, since the band was founded in 1982. This is their fifth release to be precise. They seem...
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The late percussionist Pierre Moerlen’s last Gong lineup was this outstanding group of Russian musicians assembled for the SKIF festival in 2001; the group recorded these 13 tracks in a St....
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