Exposé print issues (1993-2011)
Showing items 8841 to 8850 of 11720
The history of Renaissance is much too convoluted to go into in a review, but it’s safe to say that these two albums were the end of the “classic” period of the...
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Britain’s Robert Andrews plays guitar and bass for Land of Yrx and Aerie, bands with whom he’s released over a dozen albums. An Amnesty for Bonny Things on Sunny Days is his...
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Ron Boots has firmly established himself as a force in electronic music. His latest release is, as always, accessible top-notch electronic music. The title track gradually unfolds over the...
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Covering the Jimi Hendrix catalogue requires skill as well as thought about which arrangements to interpret and which ones not to disturb. Stevie Ray Vaughn’s cover of “Voodoo Chile -...
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Woo-hoo! More genuine artifacts from the Soft Machine vaults, and what a treat this one is. Six tracks, and most of what we have here is Third era, either by the four-piece of Wyatt,...
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Spaceheads take note. For the second Gazul label release, Don Falcone has assembled sixteen tracks featuring an impressive list of musicians from the neo psych and space-rock camps, including...
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Four Athens natives + one collectively channel their improvisational demons with this two disc set on the independent Solponticello label. Saxophonist Dave Rempis (on loan from Vandermark 5) runs...
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Not really a sequel, but certainly a long time coming. Anyone recall the Earthstone album Seed? At the time it was receiving some good reviews, actually people were raving about it; I know...
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There is ambient, and then there is ambient. This is true ambient, for fans of completely tuneless, minimalist drones and occasional other sounds electronic. For example, after a couple of minutes,...
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Writing about music is often difficult, trying to find words to describe what is essentially a non-verbal experience. When the music tends toward the ambient realm, this problem is intensified. Former... » Read more These are the most recent changes made to artists, releases, and articles.