Exposé print issues (1993-2011)
Showing items 5701 to 5710 of 11409
Yagull released an album a few years back called Films that sounded nothing like this one, more of a chamber-rock driven event, so I won’t dwell on it here; this is like a whole new...
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Musicians often use their art as a way to process the events of their lives, to turn hardship and pain (as well as joy and hope and love) into something beautiful, or at least useful, in dealing with... » Read more
Adams’ latest release is a collection of three works for string ensembles. On these three, Adams functions as the composer only and does not perform on these pieces, instead relying on the... » Read more
McLatchey's Top Tier #24
Picture Music and Timewind have been on my (top) favorites list for decades at this point, but for some weird reason it took a little...
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Wooden Arms is a British six-piece + guests featuring guitar, piano, violin, cello, bass guitar, drums and trumpet, with all members contributing vocals. The six songs presented here are superbly... » Read more
Boston's Jaggery have developed a sound that is wholly unique, and it's only partly due to their unusual instrumentation: piano (usually acoustic), bass (often acoustic), drums, viola, and...
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In 2008 The Long Dead Sevens, Paul J. Rogers et. al., released The White Waltz and Other Stories. Since then I have been waiting for their next release. While not exactly a follow on by the... » Read more
This trio, based in France, is named from taking the first letter of the surname of each of the participants: Fender Rhodes player Jeremie Ternoy, drummer Peter Orins, and guitarist Ivann Cruz. Add...
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The Mark Lomax Trio features the leader on drums, Edwin Bayard on tenor sax, and Dean Hulett on upright bass. Lomax is the primary composer, though his pieces are quite open-ended, suiting the sparse... » Read more
Mike Segretto is a professional writer who is the admin for the Psychobabble blog (link below). Reading The Who FAQ is essentially the equivalent of spending several years perusing his and...
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