Exposé print issues (1993-2011)
Showing items 11481 to 11490 of 11723
Ed Van Otterdijk (spelled Otterdyke here) is a Dutch multi-instrumentalist who released this one self-produced album on WEA in 1984 as part of a three album deal. The music straddled the line between... » Read more
In the history of French rock, two names stand out among all others in terms of leadership, originality of style, and influence over all that would follow. Magma's contribution is well known,...
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Japanese progressive compilations are always an interesting listen, and this one's no exception — a collection of groups that never made an album but performed live in Tokyo in what sounds like the... » Read more
Apparently this is the Canadian band's third album. I was quite impressed initially by my first taste of this album, namely, the 14-minute opening medley "Emergence/Sweet Perdition." "Emergence" is an... » Read more
Von Zamla is another incarnation of the zany Samla Mammas Manna, who recorded two albums under the name for Urspar (this one being the first) before breaking up in the early 80s. Von Zamla's four... » Read more
Wapassou was a unique classically influenced French band that existed from around 1971 through the mid-80s (their last release was in 1986). These three — their second, third and fourth...
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In the light of Musea's new tribute A Propos d'Ange and a new solo album by Christian Décamps, Exposé felt it would be an ideal time to take a look back at what was the beginning and arguably the peak of the career of one of France's most innovative and influential rock groups. » Read more
The twisted family tree of the American bands U Totem, Thinking Plague, 5uu's and Motor Totemist Guild is perhaps representative of the challenging, ever-changing music that these four groups...
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Ever wonder what some of the classic progressive bands would sound like today had they maintained their edge and not grown lazy and comfortable and become caricatures of themselves? Enter the...
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Here's a really unexpected surprise. The 5uu's used to be the epitome of overlyrical RIO mediocrity, a quirky semi-political group influenced by the Henry Cow / Art Bears sphere. While...
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