Exposé print issues (1993-2011)
Showing items 901 to 910 of 1226
This new Norwegian band are already eliciting comparisons to White Willow, but that is actually a somewhat superficial comparison used for lack of a better one. The Third and the Mortal bridge the...
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If there is one song that exemplifies the best character of the warm, romantic and melodically colorful side of French symphonic progressive rock, it has to be "Conte en Vert," the second...
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Serenity... calm... stillness... These are the virtues most strongly imbued in the music of Takami's first recording Y. de Noir II, an album that is almost completely dominated by...
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At long last! Finally the eponymous first album by Minnesota guitarist Steve Tibbetts has been reissued. Folks familiar only with his work of late may be a little surprised by the flowing acoustic...
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There's plenty of good reasons why this is one of the last Spirit albums to receive the digital treatment. After Sardonicus (or more properly during Sardonicus), most of the original... » Read more
John Livengood may be better known for his recent collaborations with Richard Pinhas, but this was his electronic duo back in the late 70s, joined by Ivan Coaquette on guitars and bass. Their...
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Sixty Nine were an unusual "group" being only a duo of keyboards and drums. For these limitations, Sixty Nine made a pretty big sound, a combination of influences that on the more mundane...
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Silberbart were a German trio in the early Guru Guru vein, a bass-drums-guitar combination with an eye for the psychedelic. If you're familiar with Guru Guru albums such as Hinten or...
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Quebec, 1975. Like many other places in the world, a popular trend was to get back to the earth, to get back listening to the heart in a simple way, far from the concerns of cities and the humdrum...
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This album is the classic Swedish group's third album and perhaps the most impressive of the early Coste Apetrea incarnation. Samla in the early 70s were far more progressive rock/fusion...
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