Exposé print issues (1993-2011)
Showing items 541 to 550 of 1233
I try to maintain a certain openness about the various musical genres, feeling that quality is a factor only marginally related to style, so I’m happy to find something good where it’s...
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[Note: This review was written upon the release of the albums on DRT in 2005.]
DRT is Derek Shulman’s US based label, which has taken ownership of the band’s North America CD...
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The Collectors hailed from Vancouver, Canada, not exactly a hotbed of the worldwide psychedelic scene, which maybe helps explain why they didn’t make a bigger impact. Their two albums, though...
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I haven’t heard Shingetsu’s studio album, so this concert recording is my introduction to their music, and it’s quite a surprise. And like many surprises, it has both good and bad...
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Family’s Roger Chapman is somewhat of a workaholic. His departure from Family only saw him tirelessly fronting bands under a number of other names including his own. This package of two albums... » Read more
Marvin Ayres has a different approach to ambient music, using electric violin, viola, and cello instead of keyboards (with the exception of a bit of organ on one track). I suppose it’s a bit...
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Nicholas Greenwood’s name, if it is known at all, is remembered from the credits of albums by Khan and Arthur Brown’s Crazy World, where he played bass. Until this reissue arrived, I had no idea... » Read more
Marvin Ayres is a string player (cello and violin here) who specializes in using electrified instruments to build ambient clouds of sound (see
For me, Remember the Future has always been the Nektar album. It was the first one I heard, and the others have seemed like variations on its format (disregarding the later...
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Music Emporium’s self-titled 1969 album is one of the rarest gems of the late 60s LA psychedelic scene, with only 300 copies originally pressed and an elaborate die-cut sleeve. Unlike some... » Read more These are the most recent changes made to artists, releases, and articles.