Exposé print issues (1993-2011)
Showing items 1 to 10 of 10059
The United States of America was a one-and-done experimental rock band founded in Los Angeles in 1967 by composer Joseph Byrd and vocalist Dorothy Moskowitz. Their one 1968 self-titled album, often...
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At Exposé, we focus on progressive and experimental music of various stripes, but we always try to be flexible. You probably won’t catch us reviewing Taylor Swift anytime soon...
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The title of this Various Artists compilation roughly translates to Sonic Transits: Electronic and Tape Music by Peruvian Composers from 1964-1984. Before the reader gets the wrong idea,...
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An Introduction to the Honey Pot is the fourth release of Fruits de Mer Records retrospective compilations. The Honey Pot and Crystal Jacqueline have been contributing to the FdM label...
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The Last Quiet Place is the first time we’ve reviewed a release with Ingrid Laubrock as leader, though she’s showed up on quite a few albums by others. Most notably, there was...
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One need look no further than the title of the opening track, “The Constitution of Silence,” in order to get a clue regarding how this latest Kevin Kastning collaboration with Swedesh...
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Machines Can’t Hear You is the fourth Mark & The Clouds album, an amalgamation of 60s pop, folk, and psychedelia. Augmenting the regular lineup of Marco Magnani (vocals, guitars,...
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Occasionally a new release comes along that is really baffling. The Gatekeepers certainly qualifies. This is a narrative concept album, a rock opera if you will, with the caveat that it is...
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It was near the end of last year that we reviewed Ambiente Solstice’s previous release, Out...
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Matt Dorsey has worked as a bassist with a close association with Dave Kerzner. He has also played with Circuline and the tribute band ProgJect. Left to his own devices, he’s created Let...
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