Exposé print issues (1993-2011)
Showing items 1 to 10 of 10145
The master of surprise has a couple more releases for this year, both falling more or less in the experimental electronics realm. For the most part these certainly aren’t your typical...
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Black River Transect puts me in the awkward position as a reviewer of writing about music created by good friends. So take my words in that light, and I’ll try to describe it in...
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Fans of the late, great Keith Emerson are familiar with his jazzy piano explorations on songs like “Take a Pebble” or “Hang on to a Dream.” But here is evidence of his...
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Zhongyu is the musical project of Exposé’s own Jon Davis (noted reviewer and our web master). About ten years ago Jon spent three years living and working in Beijing, China...
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We last encountered Jaggery on their 2015 live album, where they presented superb versions of...
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McLatchey's Second Tier
It's been about 13 years since the great March 7th show from this stint was released as It's About That Time, but even though the...
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To complement their 2006 USA Tour, Acid Mothers Temple released Power House of Holy as their tour CD. This CD contains two live tracks recorded in 2004, “Dark Stars” and...
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One of the many joys with reviewing music for Exposé is being exposed to excellent new artists and music. Case in point is the Australian band Trappist Afterland. Hailing from...
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Lost Kite is a father-son duo featuring Stefan Carlsson, who was a member of the awesome Kultivator, but if you expect a similar Canterbury-influenced RIO mashup, you’d be disappointed...
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Mira, un Lobo! is the musical project of Portuguese artist Luis F. de Sousa as a means of dealing with unemployment, crises, and depression. Mira, un Lobo! allowed him to drift away from his...
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