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Twin Age - Moving the Deck Chairs

Ten years ago this would have been right at home on the SI label. For many readers, maybe that’s all you need to know. If you don’t know what that means, well, consider some of the more...

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(Posted by Dan Casey 2001-03-01)

Unto Ashes - Moon Oppose Moon

Every now and then something comes along that completely refocuses and reinvents a musical sub-genre. The introspective and sombre music of Unto Ashes — a sort of dark, pagan-influenced folk,...

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(Posted by Peter Thelen 2001-03-01)

Various Artists - E-Progeny

This interesting compilation is the result of a collaboration between members of an Internet mailing list called “e-Prog,” which is dedicated to the discussion of keyboard-led...

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(Posted by Sean McFee 2001-03-01)

Various Artists - Looper's Delight Compilation CD: Volume 2

This was an awesome Internet find. I discovered the Looper’s Delight web page one day and am the better for it. A site dedicated to the use of the tape loop; its origins, tech tips and...

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(Posted by Dane Carlson 2001-03-01)

Vujicsics Ensemble - 25

Founded in 1974, the Vujicsics Ensemble is perhaps Hungary’s most widely respected folk group. Named for Tilhamér Vujicsics, a composer and musical folklorist in the tradition of...

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(Posted by Jim Chokey 2001-03-01)

Wittox O'Hara - Blame: Mascot

This is the second album by the Canadian guitarist, and although it’s getting a bit moldy by now, it does deserve a mention here. O’Hara plays electric and acoustic guitars, and also...

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(Posted by Sean McFee 2001-03-01)

A Hot Date with King Crimson —
Live at the Fillmore 2000

It's been 31 years since the Crimson King appeared at the legendary Fillmore in San Francisco. In December 1969, the original quartet was at the end of their first American tour, tired, spent, and just downright frustrated. The group was on a triple bill with both the Nice (led by Keith Emerson) and the Chambers Brothers (an R&B vocal group), which typified the mixture of musical styles in a Bill Graham venue for the day. Fast forward to the present and although Robert Fripp and his new quartet have adopted many guises, none are more brutal than the projekctized version, which has been successfully redefined for the new millennium. » Read more
(Posted by Jeff Melton 2001-03-01)