Exposé print issues (1993-2011)
Showing items 7521 to 7530 of 11449
Not to be confused with their 1985 CD with the exact same title, this DVD is the first of four that are being compiled from the shows that took place at Le Triton from May 10th to June 4th 2005....
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This second album from Mar de Robles is both a continuation and a departure from the first. It’s an example of a band honing its craft and moving on and up. The five piece features vocals /...
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Based in Mexico City, José Luis Fernández Ledesma’s projects appear every year or so quietly with little fanfare; he is definitely one of the most underrated artists around,...
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On the heels of his double CD Live in the USA, Mark Jenkins has released his 14th album This Island Earth. It presents three styles of electronic music: 1) a purely digital... » Read more
Acclaimed US prog act Metaphor’s third album is finally out after two-plus years of refinement, and the finished result is well worth the wait. I was lucky enough to receive a group of rough demos... » Read more
This one falls into the "environmental music" category. German artist Michael Fahres "composed" these pieces using sounds found in nature or from sources not originally intended for this purpose. He... » Read more
The nine tracks presented on Yathrib not only attempt to bridge Arabic traditional composition forms, western jazz idioms and progressive rock, they also bridge the cultural differences... » Read more
This is the follow up to this Japanese quartet’s impressive 2003 debut, Taneshina. The jazz approach seen on the debut is carried forward here, though this time even more non-jazz...
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Mirror Snake is an Oakland, CA-based neo-psych band. They play hard-edged post punk fuzzed out psychedelic rock that brings to mind bands like Dead Flowers, Plastic Crimewave Sound, and at times Amon... » Read more
One of the very best of the late 60s San Francisco bands (if not the best), Moby Grape's recordings as well as the band's name itself has long been tied up in endless cycles of litigation thanks to...
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