Exposé print issues (1993-2011)
Showing items 5241 to 5250 of 11426
Like a compelling collection of eight instrumental introspective dream sequences, the latest offering from October Equus guitarist Ángel Ontalva has an absolute cinematic quality that offers...
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For this collaborative outing, Cristiano Bocci, who is a bass player, left the bass playing almost entirely to Daniel Barbiero. Bocci provides all manner of electronic processing to the sounds that...
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The soulful and bluesy “Gypsy King” from Bon Lozaga’s latest release manages to capture the essence of Band of Gypsies era Hendrix and fuse it the technical mastery of...
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It’s pretty much impossible to comprehend the number of albums that trumpeter Randy Brecker has appeared on. Discogs.com lists...
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The core members of the Italian band Merry Go Round trace their roots back to the 80s to the Storks and Standarte. In 2012 they added a second guitarist and a female vocalist to form Merry Go Round...
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Morgan Fisher has a long and interesting musical career. He and I were both born in 1950, but 11 months apart. At the ripe old age of 18 his band The Love Affair scored a #1 UK hit “Everlasting Love” (though in typical fashion for the day, neither he nor his bandmates played on the single). He also began experimenting with electronic music between 1968 and 1972, as well as co-producing Allan Holdsworth’s debut album. Between 1973 and 1977, he was part of the Third Ear Band for a brief period, joined Mott the Hoople in the Bowie years, and guest appeared on many LPs. In the late 70s Morgan set up his own studio and record label where he released Slow Music and the two oddball Hybrid Kids albums. He played keyboards on Queen’s 1982 European tour and then moved to Japan in the mid 80s. Since then, he has continued to record ambient albums and music for art videos, movies, and television. He has also played with local Japanese bands and began his series of light paintings. This past September, he flew back to the UK to perform with Mick Ronson’s daughter Lisa at her record release party. » Read more
Marbin’s fifth time out captures a live-in-the studio take on an instrumental hybrid of rockin’ jazz rife with great grooves, unforgettable melodies, and tasty rhythms, plus some real...
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McLatchey's Second Tier
There really was no other quartet like the Third Ear Band, they were even singular in 1969, showing up on the Harvest label next to Pink Floyd....
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