Exposé print issues (1993-2011)
Showing items 8431 to 8440 of 8635
Mooch is Steve Palmer on guitars, keyboards, and things aided by Conan McPhee’s bass guitar and Hazel Dean’s and Mike Wright’s Tibetan singing bowls, singing bells, and cymbals. Just like the... » Read more
The Norwegian band Kerrs Pink has been around for 21 years now and they’ve finally released their third album. The support Kerrs Pink received from Musea in reissuing their first two albums...
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Nu is the a CD release by Christian Décamps, formerly of the French progressive band Ange. Joined by the likes of Jean Pascal Boffo, Décamps runs through 16 relatively short songs, most... » Read more
baG, a French band, was Musea’s foray into world music. baG traveled extensively in the 80s and 90s listening to and influenced by Asian, Arabian, South American, African, and French folk...
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Apparently this is the Canadian band's third album. I was quite impressed initially by my first taste of this album, namely, the 14-minute opening medley "Emergence/Sweet Perdition." "Emergence" is an... » Read more
Japanese progressive compilations are always an interesting listen, and this one's no exception — a collection of groups that never made an album but performed live in Tokyo in what sounds like the... » Read more
In the history of French rock, two names stand out among all others in terms of leadership, originality of style, and influence over all that would follow. Magma's contribution is well known,...
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The first I'd ever heard of this Czechoslovakian sextet was a tape someone sent to me last year of their first (1990) album Uprostřed Slov. I was suitably impressed with their twisted... » Read more
Strange Attractors is the second CD from this West Coast ensemble whose 1991 self-titled debut remains one of the best avant-garde/RIO styled albums of the 90s. U Totem takes a strongly...
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This, the long awaited follow-up to U Totem's eponymous debut, features the band's original lineup (Sanjay Kumar, Dave Kerman, Eric Johnson, Emily Hay, and James Grigsby) as well as...
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