Exposé print issues (1993-2011)
Showing items 7071 to 7080 of 8578
The third album in the Pere Ubu canon is one where the group appears to be in a more playful mode rather than on their acclaimed sophomore album, Dub Housing (1978). They had matured a bit...
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The “Ancient Ecstatic Brotherhood of Paranoise” has come up with an original and compelling fusion of musical styles. Starting out with samples of Middle-Eastern and other exotic...
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Oysterband (originally The Oyster Band) has been making music in their own unique and developing style for more than a decade. I would hesitate to call them a post-punk equivalent of Fairport...
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Orient Squeezers, aside from being an especially nonsensical phrase, is a solo project of Håkan Almkvist, the driving force behind Ensemble Nimbus. The disc displays quite an obsession with...
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No one could ever rightfully accuse Mr. Bungle of stylistic monotony. Their three albums have been about everywhere on the map, and a few places that aren’t on any maps. That said,...
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Jazz-fusion of the early 70s used to get such a bad rap for self-indulgence and excess, almost as bad as the progressive rock camp. With the help of producer / bassist Bill Laswell, progenitors of...
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Mike Keneally’s mastery to create an amusing stream of conscious should be undisputed upon hearing this disc. The man jumps from hot guitar lick to jazz groove to shrill weirdness and movie...
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The Cosmic Krewe’s music is an almost perfect hybrid of trumpeter/keyboardist/vocalist Michael Ray’s two most significant former gigs. Here, as on the band’s 1994 debut,...
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Afterglow is the combined musical energies of cellist Martin Tillman, flautist Tim Wheater, and keys player Michael Hoppé. For the most part, the music is a spacious and somber...
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Use an accordion, go to jail? Not here! Like many, the word accordion conjured up for me nightmares of bad polka music and Lawrence Welk. However, just one listen to the superb music on...
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