Exposé print issues (1993-2011)
Showing items 6991 to 7000 of 8448
This Swedish band starts off their first album with a nice slice of instrumental rock: two guitars, bass, and drums slipping easily between phrases of three and four beats. It is well arranged,...
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After a mildly disappointing third album, Bondage Fruit is back in top form. Over the top, in fact. Much of this is insanely complex music that one might swear is all improvised, at least until the...
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The mysterious contributor to 5uu’s and Thinking Plague has secreted another solo album and I’m overjoyed for the new aural ooze! After all, that’s what Drake’s blend of...
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Often when record shopping, people tend to think the description “chamber-prog” is a synonym for “sounds like Univers Zero,” which I think is a grave error. Don’t get...
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Blast may be the most exciting and talented chamber-jazz band since Henry Cow and Frank Zappa’s mid-70s work. A Sophisticated Face, their fourth release, finds them even bolder than...
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Guitar, bass, and drum albums can highlight standard blues based endeavors, fusion-driven workouts, or some aural creature which defies easy categorization. Bill Frisell’s trio album on...
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Your Body is Beyond-O-Matic’s third album of spacey trance-like vignettes. The quartet is getting proficient extracting elements of the early Pink Floyd (A Saucerful of...
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Arepos is one of the most well-known avant-pop bands of the 90s and is recognizable because of its intelligent melodies, its jazz rhythms, its rather minimalist piano work and, mostly, for its...
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This has so little to do with the early Agitation Free sound, that I put it in its separate review. Why Garden of Delights would market such slick jazz rock under the Agitation Free name is pretty...
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Here is a project in a genre (solo vocal; or music largely voice-oriented) that is usually fraught with problems, whether they be such that the results are too serious (Meredith Monk); harsh on the...
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