Exposé print issues (1993-2011)
Showing items 5021 to 5030 of 8572
As its title boldly suggests, Rudy Adrian's latest (and his third for Lotuspike) launches the listener into the ambient expanses of deep space, leaving the earth – elements of which provided the... » Read more
This is blistering high energy, mostly instrumental hard rock by a German trio with three previous releases to their credit – we reviewed their third album a couple issues back. The...
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A brilliant marketing strategy here - two 3-inch mini-CDs in cardboard sleeves are shrink-wrapped back-to-back. The first features three new songs recorded in 2010, featuring Taylor on guitars, bass,... » Read more
At the outset, it would appear that reviewing three CDs of solo piano music from keyboardist Rick Wakeman would be a daunting task. While wrestling with the perception that the pianist can easily sit... » Read more
Rick Miller is a Canadian multi-instrumentalist and composer who began his musical career in the 80s. Over the past five years Rick’s focus has been progressive rock and Falling through... » Read more
If it's true – at least in creative work – that quantity yields quality, the recent releases by Richard Pinhas are proving that maxim possesses a limited applicability. Built as a...
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Retsam Suriv is a progressive metal band from Argentina. Exégesys is their first album and was released in 2009 (but copyrighted in 2007). The band consists of guitars, keyboards, bass,... » Read more
Reebosound is the brainchild of mulit-instrumentalist Sven “Missu” Missullis from Hannover, Germany. This is Reebsound is his second solo release. Performing live at shows and...
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This is the fourth time out for this seven-piece chamber-rock ensemble from Belarus, their third in three years for AltrOck, a great label that seems to be able to do no wrong. Featuring drums,...
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Drummer Ranjit Barot has certainly surrounded himself with world-class international talent, much of which also records for the Abstract Logix label. Since participating with John McLaughlin on...
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