Exposé print issues (1993-2011)
Showing items 1 to 10 of 10068
Here is another rarity from the vaults. Zauber was a five-piece that produced only this single album in the late 70s, until their recent reformation (see Mike's New Italian article in issue #4)...
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Rotcod Zzaj is a do-it-yourself musician who produces his own cassettes, right down to the home-made packaging and the handwriting on the labels. Working in collaboration with other musicians, he... » Read more
baG, a French band, was Musea’s foray into world music. baG traveled extensively in the 80s and 90s listening to and influenced by Asian, Arabian, South American, African, and French folk...
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Nu is the a CD release by Christian Décamps, formerly of the French progressive band Ange. Joined by the likes of Jean Pascal Boffo, Décamps runs through 16 relatively short songs, most... » Read more
Heretic was a Japanese group that released two albums in the 80s. This CD combines these two albums and includes a bonus track recorded live in the studio. 1984-88 is interesting in that...
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The Norwegian band Kerrs Pink has been around for 21 years now and they’ve finally released their third album. The support Kerrs Pink received from Musea in reissuing their first two albums...
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Mooch is Steve Palmer on guitars, keyboards, and things aided by Conan McPhee’s bass guitar and Hazel Dean’s and Mike Wright’s Tibetan singing bowls, singing bells, and cymbals. Just like the... » Read more
Knees, Reins & Feet is Poor Richard’s debut CD after releasing two independent cassettes. They are a young band, both as musicians and as a band, formed in 1990 and now on their third... » Read more
Wait a minute! Do my ears deceive me or is this a long lost Yes release? No, it is the debut release by the mid-western group Realm and could easily be the best Yes release they never recorded.... » Read more
This new release on Musea’s Parallele series is essentially a solo effort by Simon Steensland with a little help on guitar and keyboards from his friends Johan Boberg, Pelle Halvarsson,...
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