Exposé print issues (1993-2011)
Showing items 201 to 210 of 11231
Since their first run in the mid-70s up to their reformation in recent years, Ciro Perrino’s band Celeste is mostly known for their gentle, folky take on symphonic progressive rock, beautiful...
» Read more
After two excellent albums, Moon Letters shows no sign of slipping in quality. They continue to hone their take on what “progressive rock” means in the 21st Century, moving farther away...
» Read more
Epidermis is a band with a long history (over two decades) and not a lot of product to show for all that time. The group was founded in Hesse, Germany in 1971 by Rolf Lonz (guitar, flute, vocals),...
» Read more
In my review of their earlier release, The Call of a Crumbling...
» Read more
My one and only other encounter with Runaway Totem was their 2018 album La...
» Read more
I saw that the music of Teis Semey had been described as “arguably very niche modern free jazz” and expected a fair amount of wildness from his album En Masse! As it turns out,...
» Read more
Potamos is a Greek quintet, part of the Aesthetiko Musicians Collective, playing in what seems to be an improvisational jazz style, somewhat informed by Middle-Eastern sounds, though not to the...
» Read more
Dieter Spears has been a session player in Nashville for several decades as a bassist, keyboardist, engineer, and producer, though his fondness for 80s and 90s electronic music finally got the...
» Read more
The Italian neo-progressive band Melting Clock originated in the Physics Department of the University of Genoa in 2001. The founders’ shared interests in progressive bands like Porcupine...
» Read more
When I see the word “doomgaze,” I can recognize from context that it refers to a genre of music, but I’m neither sure of what exactly it means nor interested in finding out. Music...
» Read moreThese are the most recent changes made to artists, releases, and articles.