Exposé print issues (1993-2011)
Showing items 1 to 10 of 10321
Neo-progressive act Tea for Two’s first album is appropriately titled 101 since this work is very much a freshman endeavor. The core of the group stems from vocalist Stephan Weber...
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Fable on the Seven Pillows is a Musea re-release of a 1990 album by Japan’s Teru’s Symphonia. Having followed this bands career backwards I can finally state that this sounds...
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This 1970 release from Czechoslovakia's rocking Blue Effect (later to become Modrý Efekt) wears its date amusingly on its disc sleeve, with the very youthful band draped in comically...
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The Champs are an unusual trio of twin lead guitars plus drums that cranks out a heavy uptempo rock sound with plenty of meaty riffs. On many tunes they sound like an instrumental version of Thin...
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The Red Masque is a five-piece of guitars, bass, drums/percussion, keyboard+harp, and lead voice. Their promo package proclaims “...An intense and angular blend of avant rock...” and...
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Since the mid 70s, the Residents have put out a succession of bizarre albums featuring their own take on popular culture and music. In addition to those musical releases, the band has from the...
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The Underground Railroad was formed with the express intent of playing music in the style of Genesis, but they have luckily strayed from the strict observance of that intention. There is a remnant...
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Led by Gary Parra, the former Cartoon and PFS percussionist and composer, along with Warren Dale on “hammers” (keyboards, one assumes) and winds, and Chris Smith, guitars and other...
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I wasn't as impressed with Insurrection as I was hoping I'd be. The keyboards really lead the show, drawing upon various European influences from the last 20 years: Zamla, Henry...
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Gary Parra has been listening to a bit of Kit Watkins (keyboard god from Happy the Man). That seems like a safe bet given the opening track on Trap's sophomore release, Insurrection,...
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