Exposé Online banner

The Telescopes — As Light Return
(Tapete TR351, 2017, CD / LP)

by Henry Schneider, Published 2017-08-25

As Light Return Cover art

Since 1987, Stephen Lawrie and a variety of different musicians have been performing live and recording under the name of The Telescopes. As Light Return is their ninth album, their second on Tapete Records. This changing band makeup has become part of Lawrie’s concept, varying from concert to concert and release to release. My only other exposure to The Telescopes is their 2012 7-inch Black Eyed Dog on defunct Irish indie label Trensmat Records. That EP featured a cover of Nick Drake’s song and is vastly different from the wall of noise and distortion on As Light Return. Belying the uplifting title of As Light Return, the five instrumental tracks are a dark and blistering sonic assault, just like Acid Mothers Temple at their most abstract. Lawrie has over-processed his electric guitar to produce screeching feedback and layers of distortion with interacting overtones that sound like a spongey wall of sound, which is also conveyed by the cover art. Sometimes there is a detectable rhythm and percussion track buried under the noisy sludge like on “You Can’t Reach What You Hunger” or “Something in My Brain.” On the other tracks it is as if time stands still and all you experience is an endless, merciless sonic attack. If you listen carefully, you may detect the sibilant sounds of subliminal vocals. Only on “Something in My Brain” can you actually distinguish a voice and some of the words, which I guess is the something in Lawrie’s brain. Overall the music reminds me of Canadian Aidan Baker’s project Nadja. And I guess As Light Return answers the question of what do you get when you over-process the guitar? A “Hand Full of Ashes” or a “Handful of Ashes,” tracks 3 and 5. While not an engaging disc, this music requires a discerning palate to fully appreciate.


Filed under: New releases, 2017 releases

Related artist(s): The Telescopes

Latest news

2017-09-06
Holger Czukay RIP – Holger Czukay, a musical experimentalist without boundaries who has been involved with expanding the sound palette of rock music since the late 60s, has died at the age of 79. After studying with Karlheinz Stockhausen in the early 60s, he became fascinated with the possibilities of rock music, and was a co-founder of the pioneering group Can. He leaves behind an impressive body of work both as musician and producer. » Read more

2017-08-22
John Abercrombie RIP – Another of the greats of jazz guitar has left us. John Abercrombie plied his way through a beautiful series of albums on the ECM label as well as bringing his talent to bear on albums by many of jazz's greatest artists. From his early work in the group Dreams to Gateway and outstanding work with Billy Cobham, Jack DeJohnette, Kenny Wheeler, and many more to his own trios and quartets, he brought a unique instrumental voice to the world. » Read more

2017-07-27
Yestival Dates Beef up the Beat – Word reaches us that Dylan Howe (son of guitarist Steve Howe) will be joining Yes on their "Yestival" tour, drumming alongside longtime band member Alan White. » Read more

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more


Previously in Exposé...

At War with Self - Acts of God – Guitarist Glenn Snelwar's second release under the At War with Self moniker is a curious turn in direction. By pushing the project in a more personalized course the possibilities for subsequent live...  (2008) » Read more



Listen & discover



Print issues