Exposé print issues (1993-2011)
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Salvaging the Future is the third part of a trilogy of albums that started 21 years ago with
We've been following Anton Barbeau here at Exposé since his appearance on Fruits de Mer Records in 2012 with the 7-inch single Psychedelic Mynde of Moses. Since then,...
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With their ninth album, the London band Hats Off Gentlemen It’s Adequate continue their streak of winning progressive rock releases. Parallel Lives is certainly recognizable as a...
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One might be wondering why this reviewer is considering releases by two different artists in the same review. Both bands played live on the same night of March 8, 2024 at Le Zèbre in Paris,...
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There are albums that disappoint because the music falls short, and there are albums that disappoint because the packaging promises something the music never delivers. Bates Motel's Live in...
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Art in America’s self-titled debut album from 1983 is a fairly obscure bit of progressive rock...
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Before I sat down to write this review I had no idea what I was going to say about this excellent recording, much like guitarist / composer Gary Lucas and drummer / composer Lukas Ligeti probably...
» Read moreWe all know that Gentle Giant was one of the greatest progressive rock bands of the 70s, and some of us even got to see them play live when they were together. If you've got an itch for more live Giant, this new release has what you need.
From the press release:
» Read moreFront Row Center (US Dates 1975–1980) presents an extensive document of that legacy, bringing together eight CDs of rare American performances spanning the band's classic years. From the celebrated Live At The Bicentennial concert recorded at New York's Calderone Concert Hall in July 1976, through the acclaimed Playing The Fool touring period of 1977, to a powerful 1980 performance from Atlanta and the superb Capitol Studios recordings from 1975, this collection captures Gentle Giant at every stage of their evolution as a live band.
Grex is back with another blast of challenging musical statements, exclamations, and interrogations. When I first reviewed the band’s 2018 release
Gino Fioravanti (Aglaia) has been busy the last five years or so releasing some of his finest efforts, though what one sees on the Projekt label only represents about one third of his output, the...
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