Exposé Online banner

Redjy Emond — Sphere
((Not on label) no#, 1996, CD)

by Alain Lachapelle, 1997-02-01:

Sphere Cover art

Redjy Emond is a keyboard player from Quebec. He is a newcomer on the prog rock scene and while the pieces found on this CD constitute his very first offering, he nevertheless culminates many years of classical studies, which gives the music on Sphere a very strong background displayed mainly in the richness of the developments and the dexterity used in achieving them. This is keyboard music as in 'keyboard trio' in the progressive rock sense, appealing immediately to fans of ELP, Ars Nova, Lehmejum and others. What is different, in a way, with Emond's style, is the anchoring of melodies and the explorations done, surprising the listener with sudden, harmonically modified references to other segments. This structural approach, always supported by a rich and excellent palette of colorful orchestrations, gives Sphere its very own charm and balance between gothic archetyped aggressive keyboard trio riffs and a more enriched approach making way towards admirable developments. The music is always very dynamic, very up-front, making of Sphere a highly recommended album to keyboard trio music amateurs and to progressive fans in general. An album that is enjoyably listened to again and again.


by Jeff Melton, 1997-02-01:

Sphere is a complete one-man show by a keyboardist whose primary style is drawn from a very watered down Emerson (e.g. Keith on the last ELP: injured and should have waited) or Yanni on .5mg of speed. Actually the disc is pretty listenable if a bit hokey, since the compositions are pretty predictable. A few of the tracks are mostly pedestrian walkthroughs of well-traveled roads in the symphonic style. The suite of 11 songs is pretty and and only the slightest bit challenging. Emond's digital piano playing is much like Wakeman as well, sometimes incorporating motifs from a 20s melodrama. Even the title track (split into two parts on the running order) is not too awe inspiring, but nice just the same. A few tracks which represent the disc: "Periodos," which has a flashy Moog-type solo without the panache of a Wakeman lead. The "Ancestral" suite shows a slight bit more development, but falls short of reaching a memorable goal. Emond's keyboard arsenal consists of EMU Proteus, Roland, Korg, and Kurzweil state of the art stuff. The synth drums sound a bit sterile but that seems to be the trend. Wish I had a bit more to say, but not much to keep me interested past a few listens. Sorry Redgy.


by Mike McLatchey, 1997-02-01:

This is one of those albums that contains a one man rock band mostly controlled by synthesizers. I'm not too fond of the robotic tendencies of this way of going at it, yet Redjy is a more tasteful musician than most. His ideas are unusual and dissonant, his melodies meandering and often menacing. He's obviously trying to come up with a unique style of electronic rock, yet his keyboard talents would be more impressive in a band situation. In fact some vocals and a lot of guitar would have done this album a wealth of good. Still, there's enough tonal variation and impressive melodies to make it worth a listen. Recommended to Ars Nova or ELP fans more so than others.


Filed under: New releases , Issue 11 , 1996 releases

Related artist(s): Redjy Emond

More info

Latest news

2020-02-18
Jon Christensen RIP – Word reaches us today of the passing of Norwegian drummer Jon Christensen, a musician whose sensitive playing did much to help define the atmospheric sound of ECM jazz recordings. His work with Jan Garbarek, Bobo Stenson, Terje Rypdal, and many more was sensitive and varied, adapting to a wide variety of styles while maintaining a distinct identity of its own. Christensen was 76. » Read more

2020-01-21
Gong Announces UK Tour for 2020 – Having spent the last few years touring the world, including dates in Japan with psych legend Steve Hillage, multiple headline European tours and festivals, America’s Cruise to the Edge festival, a South America headline tour, and a headline performance at Tomorrow Festival in China, the band have won the hearts of both traditional and modern Gong fanbases. During this live journey, Gong has delved further into the truly psychedelic, exploratory, and mind-expanding side of the music. » Read more

2020-01-15
Carlos Alvarado RIP – Carlos Alvarado, pioneering composer, multi-instrumentalist and pioneer of progressive rock and electronic experimental music in Mexico, passed away January 14th, 2020 at age 68 after a two year battle with cancer.  » Read more

2020-01-12
Wolfgang Dauner RIP – Pianist Wolfgang Dauner, one of the pioneers of both European free jazz and jazz rock, has died at the age of 84. With his own groups and with the United Jazz+Rock Ensemble, his playing and compositions were a prominent presence in European jazz from the mid-60s until just recently. » Read more

2020-01-12
Michael Allison RIP – Michael Allison, who since 1997 has been recording as Darshan Ambient, passed away on January 9th after a long and brave battle with cancer. He has been at at the forefront of the new ambient/electronic music scene, with over eighteen releases to his credit. » Read more


Previously in Exposé...

Network - Corroded Path – This five-piece fusion outfit hails from the British Isles, led by guitarist Tim Crowther and drummer Steve Clarke. The band is rounded out by Ted Emmett (trumpet), Pete Jacobsen (keys) and Laurence...  (1994) » Read more

Radiohead - Kid A – OK Computer showed a rock band reaching beyond the conventions of commercial music, yet somehow managing to remain commercial, selling millions of albums and impressing a lot of non-mainstream...  (2001) » Read more

Jon Anderson - Tour of the Universe – Since the last full Yes tour in 2004 Jon Anderson has taken it upon himself to spend some time shoring up his solo career endeavors. Tour of the Universe consists of his appearance at the XM Satellite...  (2007) » Read more

Claudio Cordero - Enlace – One of the best young guitarists anywhere in the Americas, Claudio Cordero delivers the goods on this fantastic first solo effort. The CD is all instrumental, and features exceptional playing from...  (2008) » Read more

The Hook - Will Grab You – Transitional periods can be very interesting in music. The Hook falls in the transition between 60s garage-psych and 70s hard rock. Reliable information has it that this album dates from 1968 in spite...  (2003) » Read more



Listen & discover



Print issues