Exposé Online banner

Ovrfwrd — Beyond the Visible Light
((Not on label) 789577722323, 2013, CD)

by Paul Hightower, 2014-04-19:

Beyond the Visible Light Cover art For a debut effort Ovrfwrd are off to a good start. This young quartet from Minneapolis specializes in energetic progressive rock instrumentals with the emphasis on tight interplay and heavy duty riffing, somewhat reminiscent of Rush although a better point of comparison might be bands like Osada Vida or Liquid Tension Experiment. Drummer Rikki Davenport and bassist Kyle Lund perform admirably, though guitarist Mark Ilaug and keyboard player Chris Malmgren are really the core of the band’s sound. Each displays a wide range of styles that are used to good effect on these five tracks. Each song is lengthy, ranging from eight to over 11 minutes, the arrangement propelled by varying the instrumental textures and by using the age-old prog rock tropes of dynamics, meter and tempo. Ilaug’s PRS electric guitar work leans heavily on indie rock grinding and heavy metal distortion, though he wisely provides relief by occasionally switching to a clean, ringing tone or even the warmth of an acoustic guitar. Malmgren’s playing encompasses organ, strings, and synths but he almost seems more at home on plain old piano. Here is where Ovrfwrd forges something approaching a unique identity, as seen on the songs “The Man with No Shoes” and “Darkest Star.” Their chops are impressive, but I’m not sure this is a band that could ever dethrone Kenso when it comes to instrumental prog. But when acoustic elegance collides with the ballsy rock they’re in a space all their own.

by Henry Schneider, 2014-06-09:

Ovrfwrd is another new US band playing intelligent and complex instrumental progressive rock. Hailing from Minneapolis,MN, the four seasoned musicians are Rikki Davenport (drums), Mark Ilaug (guitar), Kyle Lund (bass), and Chris Malmgren (keyboards). Beyond the Visible Light is their debut release containing five varied tunes that showcase the strengths of each musician. Most of the tunes have multiple movements and shifts in rhythm and emotion. The quality of the music is superb and what you would expect from a mature band. Their music brings together elements of jazz, heavy metal, and progressive rock to create an enjoyable listening experience without resorting to dissonance and or aggressive metal antics. The first song, “Can We Keep the Elephant,” has an engaging rhythm with many different hard prog rock changes. “Stones of Temperance” begins with a piano intro in the lower keys that brings an eerie vibe that is later replaced by some beautiful acoustic guitar work. The third, “Raviji,” has mid-Eastern sound with many fantastic guitar solos. It is not until we reach the fourth track “The Man with No Shoes” that I detect the heavy metal influence in the aggressive bass line, which is a great accompaniment to the jazz and hard rock elements. And the disc closes with “Darkest Star,” a very busy track. Beyond the Visible Light is quite an impressive debut release.

by Jon Davis, 2014-10-09:

If I were the kind of writer who likes to grab attention by making provocative statements right off the bat, I'd probably start out this review with "Originality is overrated." A lot of fans of progressive rock fetishize originality and criticize new bands for not breaking new ground. What does this even mean? It seems petty to criticize Brahms for just rewriting Beethoven's work, and ignores Brahms' own innovations. And what does "overrated" even mean? Case in point is this Minneapolis band. It's instrumental progressive rock, and features a lot of the genre staples, like extended multi-section compositions, odd meters, tempo changes, vintage keyboard sounds, polyphonic arrangements, and so on. But these elements are put together in ways not quite like any previous progressive rock, and the melodies and chords are new. In any case, Ovrfwrd gives the impression of being firmly in the tradition without being slavishly derivative, which shows in the fact that I can't think of a specific band from the 70s they most resemble. What it really comes down is that the compositions are really excellent, and I'll happily rank them among the best current American prog bands.


Filed under: New releases , 2013 releases

Related artist(s): Ovrfwrd

More info
http://ovrfwrd.bandcamp.com/album/beyond-the-visible-light-2014

Latest news

2019-11-07
Glenn Smith RIP – Glenn Smith, founder, mandolinist, and primary composer of the DeLand, Florida based prog / fusion band Magnatar, passed away on October 18th 2019 at the age of 68, after a brief illness.  » Read more

2019-11-04
Dino Brassea RIP – Word reaches us of the passing of Dino Brassea, who sang and played flute in Cast for many years. By our count, Brassea appeared on 11 Cast albums between 1994 and 2002. He also released music as a solo artist. » Read more

2019-10-06
Ginger Baker RIP – Legendary English drummer Ginger Baker has died at the age of 80. After coming to fame with Cream in the 60s alongside Eric Clapton and Jack Bruce, he became one of the most recognized and influential drummers of the rock era. On September 25, his family announced that he was critically ill, and on October 6 his death was confirmed. » Read more

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more


Previously in Exposé...

FM - Retroactive: FM Archives Volume 1 – This Canadian trio is probably best known for their three late-70s LPs Black Noise, Headroom, and Surveillance (the first of which saw CD reissue a couple years ago) — sci-fi powered progressive...  (1996) » Read more

Gulââb - Veils of Mystery – Rarely do I receive a recording that makes me stand up and take notice. My jaded and tired ears perked up as I flew my astral plane while playing Veils of Mystery. What's this you ask, a trip to...  (1994) » Read more

Miriodor - Jongleries Élastiques – It has often been said that in music, the rests are just as important as the notes. Well, apparently this message never got through to Miriodor. Once they get rolling, they don't stop until the end. ...  (1996) » Read more

Caamora - Journey's End... An Acoustic Anthology – To recap: Caamora is the musical partnership of Clive Nolan (Arena, Pendragon, Strangers on a Train, etc.) and Polish singer Agnieszka Swita. Last year they recorded an original musical theatre score...  (2009) » Read more

Atlantide - Atlantide – Jean-Pierre Massiera had somewhat of a reputation for putting together one-shot bands that record and promptly die. Another one of his 'projects' was Visitors, which we reviewed back in #6....  (1996) » Read more



Listen & discover



Print issues