Miriodor — Jongleries Élastiques
(Cuneiform Rune 78, 1996, CD)
by Peter Thelen, 1996-03-01:For their fourth album (fifth if you count the cassette that came out between the first and second), Miriodor has again pulled out a long list of surprises. Their sound is rooted in the chamber rock one might associate with bands like Univers Zero and Henry Cow (circa Western Culture), with touches of folk and other elements. In fact this is a hard band to pin down because each of their releases have been so different, and this latest is no exception. There are wild mood swings and time changes, odd angularities and dissonant incongruities that together make for some great listening. With the exception of "34+9(43)," which contains some unusual vocalizing, the album is entirely instrumental. The big news is the addition of guitar courtesy new member Bernard Falaise, which would have made Miriodor a four piece were it not for the more recent departure of reeds player Sabin Hudon, who stuck around just long enough to finish most of the album. The guitar certainly isn't understated — it rocks, and its presence gives the band's sound a whole new character, and in the process has moved the saxes and synths into a more natural and complimentary role. Definitely music that can be explored on many levels, each successive listen revealing something new and more interesting. Fans of seventies Crimson, UK, Zappa, Gentle Giant, and Van Der Graaf should find plenty of interest here.
by Dan Casey, 1996-03-01:Anyone who's at all familiar with Miriodor will be immediately struck by the changes in this French-Canadian band. Where's all the synth, where's all the soprano sax melodies? The addition of Bernard Falaise (electric and acoustic guitars, basses, mandolin, synth) has had numerous positive effects on the original trio. The synth and sax are still there, but with so much burden removed they are used more sparingly and consequently much more effectively. Guitar chords, solos, and powerful effects fill up the sound nicely, as do the augmenting horn and string parts. The circus theme works surprisingly well, without limiting the emotional content as might be expected. Moods swing from upbeat and catchy ("Three Clowns") to somber and explosive ("The Little Ship's Terrible Wreck"). Miriodor have mastered the art of conveying images with their music, and each song fits its title like a glove. The quirky slide guitar and stretched-out bass on "The Caterpillar Tamer" couldn't be more appropriate. Above everything else, this is the most balanced, most intense, and most important album in this band's career. "Elastic Juggling" single-handedly demotes all prior efforts to "baby step" status, and will surely be one of the best releases come year's end. An addicting masterpiece, not to be missed. And when it's over, you'll find yourself cueing up "Igor, the Motorbike Bear" just one more time...
by Mike Grimes, 1996-03-01:It has often been said that in music, the rests are just as important as the notes. Well, apparently this message never got through to Miriodor. Once they get rolling, they don't stop until the end. The pace varies from wicked fast to mellow and tame, but it is always driving along. Jongleries Elastiques is an hour packed full of several notes, no vocals (with lyrics anyway), complex polyrhythms, and odd harmonies galore. Their musical style covers the entire electromagnetic spectrum — from Mr. Rogers on steroids to Gentle Giant "everyone play a different song at the same time" to Tipographica-esque polymodal ostinatos without all the stops and starts. There's not a single track in a major key, and not many in natural minors either. The album is the Ferdinand Magellan of modal exploration — maybe that's why there's accordion and a progressive surf music track in the middle. How about whole tone scales? They play more whole steps before breakfast than most people do all day! Most of the progressive rock requirements are here — at least one non-standard instrument, weird time signatures, intense instrumental probing. Fans of R.I.O. and experimental progressive will have a field day with Miriodor.
Related artist(s): Miriodor
The Seventeenth Dream of Dr Sardonicus Festival Tickets Now Available – Fruits de Mer Records and their merry crew of psychedelic explorers are getting set to present the next The Seventeenth Dream of Dr. Sardonicus Festival. The dates are set for August 2-4, 2019 at The Cellar Bar in Cardigan, Wales. They've also announced that the legendary Groundhogs will top the bill. » Read more
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more
Eurock Documentary Seeks Funding – We've been fans and fellow travelers with Archie Patterson and his Eurock project on the journey to discover great music. After many years of promoting and trying to spread the word,a new phase is beginning: a documentary film. Things like this don't just happen, and money does not magically appear to make it happen, so it's up to the fans to get it done. » Read more
Marty Balin RIP – One of the architects of the 60s psychedelic sound of San Francisco has died at the age of 76. Marty Balin was a singer, songwriter, and guitarist who was one of the founders of Jefferson Airplane. After the split of the original Airplane, Balin went on to form the highly successful Jefferson Starship. » Read more
Sabah Habas Mustapha & The Jugala All Stars - So La Li – Most progressive rock fans know him as Colin Bass, bassist for Camel since the late 70s, but in Indonesia he is Sabah Habas Mustapha, the youngest brother of the famous 3Mustaphas3, an incredibly... (2001) » Read more