Exposé Online banner

I suppose there are many contenders for the title of Hardest Working Band, but luckily that’s not a real contest, and certainly hard work alone is no gauge of worthiness. Since Stick Men got started as a development of Tony Levin’s Stick Man album ten years ago, the band has kept the new material coming, with studio and live releases getting into double digits (depending on how you count multiple versions of some of the live albums).

by Jon Davis, Published 2017-02-10

photography by Danette Davis

Tony Levin on stage with Stick Men 2017, photo by Danette DavisIn addition to their work with this band, all three members have substantial commitments to other projects. Tony Levin and Pat Mastelotto are both in the current version of King Crimson; Levin also tours and records with his brother Pete with a jazz group, and has appeared as a guest on many albums by diverse artists; Mastelotto also has Naked Truth, O.R.k., and copious session work. Markus Reuter is practically a one-man music factory, with everything from symphonic works to solo recordings to collaborations and long-standing projects like Centrozoon and Tuner (which also includes Mastelotto).

But somehow they find time to tour extensively as Stick Men, and given their networks of musical connections, there are plenty of collaborators to be found as guests. At times, they’ve brought on David Cross (for the Midori shows in Japan), Mel Collins (just recently in Japan), and Trey Gunn (for some of the US dates on the Prog Noir tour). The second leg of the current tour kicked off with two nights at the Triple Door in Seattle, and I was lucky enough to catch both, thanks to Moonjune head and tour manager Leonardo Pavkovic.

Trey Gunn started off the shows with a solo set involving a complex looping setup that allowed him to do many things not normally possible with simple loopers. He could create arrangements of tunes built out of parts played live, and assemble them on the fly into more than just simple repetitions. Listeners familiar with his solo material would have recognized several pieces, notably “Arrakis” from The Third Star (1996), which has a memorable melody. He’s developed a new technique of playing his Warr guitar horizontally across his lap while he sits (like this). His set was well-received by the audience, providing the right balance of mood and technique to set the stage for the main attraction.

Markus Reuter on stage with Stick Men 2017, photo by Danette DavisThe setlists for the two nights varied slightly, bringing together tunes from most of the Stick Men albums, a few choice King Crimson pieces, some improvisations, and Reuter’s arrangement of Mike Oldfield’s “Mirage” from QE2 (1980). There were so many high points it’s almost pointless to describe how wonderful this band is live. They navigate complex music so smoothly it sounds simple, and play simple music so well it sounds complex.

Since I’m writing about it, I’ll pick a few choice moments. The Crimson track “Level Five” from 2001 was great both nights, and seems to be a standard part of the set. “Hide the Trees” is a strong part of the sets. “Plutonium” is lots of fun, a combination of amusing and impressive. For some reason, the first night started right out of the gate with “Red” while the second night began with Reuter doing a soundscape, and as much as I loved hearing “Red,” the ambient washes of Reuter’s soundscape were the ideal start to a show.

With former bandmate Gunn in the house, the obvious question on many minds in the audience was whether he would come out later and join Stick Men on stage. That didn't happen the first night due to technical problems with some of the gear on stage, but it was fixed for the second show, and there was a little Levin-Mastelotto-Gunn King Crimson reunion — not to mention a variety show for different tapping instruments, with Levin's Chapman Stick, Reuter's Touch Guitar, and Gunn's Warr.

Pat Mastelotto on stage with Stick Men 2017, photo by Danette DavisThe music of Stick Men is clearly a development from idioms developed originally by King Crimson, incorporating the jarring heavy riffs of Red, the rhythmic motifs of the 80s albums, and the integrated sound of the 90s band. But there’s more to it than that. There is a lyrical quality to much of their music that can really sink its hooks into you — I’m going to say Levin brings that to the table, because it’s something his previous solo albums also had. A superficial listener might say that the looping soundscapes Reuter creates are similar to Robert Fripp’s famous Frippertronics, but closer attention shows that they’re quite different, with different technologies behind them and some really amazing subtleties.

No doubt Stick Men to be back at it again before long. Levin and Mastelotto will be part of King Crimson’s summer North America tour, but after that… it surely won’t be long for this gang.

Enduring thanks to Leonardo Pavkovic and to Tony Levin, Markus Reuter, Pat Mastelotto, and Trey Gunn for their generosity and talent.


Filed under: Concerts

Related artist(s): Tony Levin, Pat Mastelotto, Markus Reuter, Stick Men, Trey Gunn

Latest news

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more


Previously in Exposé...

Die Anarchistiche Abendunterhaltung - We Need New Animals – Under this rather long and cryptic (!) name [Die Anarchistische Abendunterhaltung] is hidden a Belgian band operating in the same areas as Cro Magnon, Maximalist!, Ensemble Nimbus, Miriodor or Palo...  (1999) » Read more

Neo - Broadcast – Prog rock super groups just won't go away. First there was Transatlantic (the rumor is that Neo were going to originally call themselves Non-Pacific as a joke) and now we have this ensemble, founded...  (2008) » Read more

T-Bass UK - The Fabulous Neutrinos – This disc opens in very upbeat, rocking fashion, as electronic music meets rock anthem. “Know Fear,” despite the name, is a bright, lighthearted affair, a dead ringer for the stronger melodic...  (2002) » Read more

Mythology Bullfinch - The Age of Chivalry & Songs from the Age of Fable – This oddly entitled outfit seems to get their influences as much from classic and psychedelic rock as progressive rock. The Age of Chivalry is mostly a guitar, bass, and drums affair, with frequent...  (2001) » Read more

Prklz - Deuce – A unique blend of many different influences, Prklz mixes their music up with lots of drastically different styles, often within the context of one song. Perhaps due primarily to their guitar / bass /...  (1996) » Read more