I suppose there are many contenders for the title of Hardest Working Band, but luckily that’s not a real contest, and certainly hard work alone is no gauge of worthiness. Since Stick Men got started as a development of Tony Levin’s Stick Man album ten years ago, the band has kept the new material coming, with studio and live releases getting into double digits (depending on how you count multiple versions of some of the live albums).
by Jon Davis, Published 2017-02-10
photography by Danette Davis
In addition to their work with this band, all three members have substantial commitments to other projects. Tony Levin and Pat Mastelotto are both in the current version of King Crimson; Levin also tours and records with his brother Pete with a jazz group, and has appeared as a guest on many albums by diverse artists; Mastelotto also has Naked Truth, O.R.k., and copious session work. Markus Reuter is practically a one-man music factory, with everything from symphonic works to solo recordings to collaborations and long-standing projects like Centrozoon and Tuner (which also includes Mastelotto).
But somehow they find time to tour extensively as Stick Men, and given their networks of musical connections, there are plenty of collaborators to be found as guests. At times, they’ve brought on David Cross (for the Midori shows in Japan), Mel Collins (just recently in Japan), and Trey Gunn (for some of the US dates on the Prog Noir tour). The second leg of the current tour kicked off with two nights at the Triple Door in Seattle, and I was lucky enough to catch both, thanks to Moonjune head and tour manager Leonardo Pavkovic.
Trey Gunn started off the shows with a solo set involving a complex looping setup that allowed him to do many things not normally possible with simple loopers. He could create arrangements of tunes built out of parts played live, and assemble them on the fly into more than just simple repetitions. Listeners familiar with his solo material would have recognized several pieces, notably “Arrakis” from The Third Star (1996), which has a memorable melody. He’s developed a new technique of playing his Warr guitar horizontally across his lap while he sits (like this). His set was well-received by the audience, providing the right balance of mood and technique to set the stage for the main attraction.
The setlists for the two nights varied slightly, bringing together tunes from most of the Stick Men albums, a few choice King Crimson pieces, some improvisations, and Reuter’s arrangement of Mike Oldfield’s “Mirage” from QE2 (1980). There were so many high points it’s almost pointless to describe how wonderful this band is live. They navigate complex music so smoothly it sounds simple, and play simple music so well it sounds complex.
Since I’m writing about it, I’ll pick a few choice moments. The Crimson track “Level Five” from 2001 was great both nights, and seems to be a standard part of the set. “Hide the Trees” is a strong part of the sets. “Plutonium” is lots of fun, a combination of amusing and impressive. For some reason, the first night started right out of the gate with “Red” while the second night began with Reuter doing a soundscape, and as much as I loved hearing “Red,” the ambient washes of Reuter’s soundscape were the ideal start to a show.
With former bandmate Gunn in the house, the obvious question on many minds in the audience was whether he would come out later and join Stick Men on stage. That didn't happen the first night due to technical problems with some of the gear on stage, but it was fixed for the second show, and there was a little Levin-Mastelotto-Gunn King Crimson reunion — not to mention a variety show for different tapping instruments, with Levin's Chapman Stick, Reuter's Touch Guitar, and Gunn's Warr.
The music of Stick Men is clearly a development from idioms developed originally by King Crimson, incorporating the jarring heavy riffs of Red, the rhythmic motifs of the 80s albums, and the integrated sound of the 90s band. But there’s more to it than that. There is a lyrical quality to much of their music that can really sink its hooks into you — I’m going to say Levin brings that to the table, because it’s something his previous solo albums also had. A superficial listener might say that the looping soundscapes Reuter creates are similar to Robert Fripp’s famous Frippertronics, but closer attention shows that they’re quite different, with different technologies behind them and some really amazing subtleties.
No doubt Stick Men will be back at it again before long. Levin and Mastelotto will be part of King Crimson’s summer North America tour, but after that… it surely won’t be long for this gang.
Enduring thanks to Leonardo Pavkovic and to Tony Levin, Markus Reuter, Pat Mastelotto, and Trey Gunn for their generosity and talent.
Filed under: Concerts
SoundQuest Fest 2021 – SoundQuest Fest, first experienced as a live festival in Tucson Arizona in 2010 was created by ambient music pioneer Steve Roach. This 2021 event will unite a worldwide gathering of artists and audience members together for a 3-day online event unique in the realm of ambient music. From March 26-28th a continuous flow of streamed performances, audio-video wonder worlds and deep immersion zones will burn bright on Roach’s YouTube channel. » Read more
Chick Corea RIP – The sad news has reached us that Chick Corea has Returned to Forever, so to speak. The innovative keyboardist and composer died on February 9 at the age of 79. With a career that spanned from the 60s until shortly before his death, Corea touched many listeners with the incredible variety of music he produced in his lifetime. » Read more
Asia Minor Third Album on the Way – On January 29, AMS records will be releasing the long-awaited third album by classic Turkish-French band Asia Minor. Released last year in Japan, this will be the widespread debut of Points of Libration. The album features original members Setrak Bakirel (vocals, guitar) and Eril Tekeli (flute, guitar). » Read more
Harold Budd RIP – Harold Budd, one of pre-eminent American composers of avant-garde and minimalism, has died of complications from the coronavirus. Budd came to prominence in the 70s, championed by Brian Eno on his Obscure Records label, with music that blended academic minimalism with electric jazz and electronic music. Much of Budd's best known work was done in collaboration with other artists, including Eno, Daniel Lanois, Robin Guthrie, Andy Partridge, John Foxx, Jah Wobble, and many others. » Read more
Various Artists - Summoning of the Muse - A Tribute to Dead Can Dance – Dead Can Dance have had a profound impact upon musicians around the world, with a fame that has grown steadily since Brendan Perry and Lisa Gerrard issued their first album in 1984. Newly reactivated... (2006) » Read more