Exposé print issues (1993-2011)
Showing items 9721 to 9730 of 11478
Cleopatra keeps churning out these space compilations — they are getting a lot of mileage out of their acts and property. Area 51 features all the same bands you've seen the...
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The second of two tributes to rock's most misunderstood progressive band is another hodgepodge of tracks from the Gentle Giant catalog. Most bands seem to adopt the policy of covering the...
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I was really looking forward to this one, and when I laid my eyes on the cover, a collage of artwork from various Italian rock albums, the first thing I though was, "Cool, Semiramis...
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Forget that you ever heard of Virgil's last Cuneiform outing Distracions on the Way to the King's Party, because this album simply has nothing to do with that whatsoever. Virgil is...
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Although it didn't leave me with a very strong initial impression, White Willow's latest, Ex Tenebris, is the kind of album which takes some time to warm up to. Not because...
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After their Progfest 1996 performance, Jacob Holm-Lupo, the creative force behind White Willow, decided it was out of control, and dissolved the band.
My first exposure to White Willow was as an opening act for day one at Progfest 95 in Los Angeles. They seemed to be a band with a weak female vocalist and an acoustic-folk style probably unsuited...
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Early Yes has always been a mystery to most fans. Who would've imagined that this hodgepodge of psychedelia, jazz, and vocal pop would become the leading English progressive band of the 70s?...
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You Are Here are a new band out of Toronto with this eponymous EP as their debut. First off, I should point out that while a keyboard player is present, this quintet have a much newer and younger...
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The first WOMAD (World Of Music Art and Dance) festival was in 1982, inspired in large part by Peter Gabriel’s love of music from around the world. Since then, there have been festivals in various locations in Europe, Africa, and Asia on a regular basis, but aside from a short tour of one-day mini-festivals in 1993, WOMAD has never gained a foothold in North America. The festival has finally found an American home in Redmond, Washington at Marymoor Park, not far from Seattle. 1998’s WOMAD USA is the first of many projected annual festivals, and if they can all be as interesting and varied as this one, I wish them a long and healthy life. One of the things that sets WOMAD apart from other festivals is the chance to interact with the artists in workshops, discussions and interviews.
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