Exposé print issues (1993-2011)
Showing items 8751 to 8760 of 11475
History: In 1992, Porcupine Tree was a little-noticed solo project of Steven Wilson. The first album had made little splash on the progressive psychedelic scene. Wilson decided to bring a little...
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Coming off the success of their first three albums, and facing the rise of the punk esthetic with its corresponding decline in the popularity of complex music, Pulsar began to work within the...
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The only other release by Raoul Björkenheim I’ve heard is the collaboration he did with Nicky Skopelitis from 1997. I liked that a lot, but with two guitarists, you never know...
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No, this is not a cover of that famous National Health song... Originally written in 1995, "Apocalypso" is a commissioned piece guitarist / composer Raoul Björkenheim (of Krakatau...
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Björkenheim has been a contributor to works by the UMO Jazz Orchestra (covering various Miles Davis pieces), percussionist Paul Schütze's band, and been on the experimental music...
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The travels of John McLaughlin return to a path of Indian influence and spontaneous combustion with Remember Shakti, a new version of the group he formed after disbanding the Mahavishnu Orchestra....
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In our Renaissance Mark 1 feature in issue 12 several years...
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For an artist who has continually reinvented his sound over the years, his latest diversion must be his most drastic yet. Perhaps the major change in sonics is the dominance of the MOTM modular...
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Glewsh, bleep, blewsh, clickityclack, blublublub. The first eight minutes or so of Bestiary sound something akin to a Conrad Schnitzler album played through a room full of jello. Not even...
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Roger Eno's fifth individual release, The Flatlands, is solo piano and small string section focused on poignant themes, but delivered passionately. Imagine Brian Eno's Discreet...
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