Most recent articles

What's old

Exposé print issues (1993-2011)

Home

« Newer

Older »

Showing items 8611 to 8620 of 11666

Yes - Close to the Edge

[This review looks specifically at the 2003 Rhino reissue.]

Rhino’s acclaimed reissue campaign continues with the the core of Yes’s most adventurous work. Close...

» Read more
(Posted by Jeff Melton 2003-12-01)

Yes - Going for the One

[This review looks specifically at the 2003 Rhino reissue.]

It was no surprise when I learned that Going for the One would be generous with bonus tracks; the 1991 box...

» Read more
(Posted by Paul Hightower 2003-12-01)

Yes - Relayer

[This review looks specifically at the 2003 Rhino reissue.]

If judged purely on the criteria of sonic improvements plus bonus tracks, the new Rhino reissue of Relayer is...

» Read more
(Posted by Paul Hightower 2003-12-01)

Yes - Tales from Topographic Oceans

[This review looks specifically at the 2003 Rhino reissue.]

Tales from Topographic Oceans, from the year following

» Read more
(Posted by Jeff Melton 2003-12-01)

A Beautiful Day in Mill Valley —
The David and Linda LaFlamme Interview

While his musical resumé is lengthy and varied, ranging from symphony orchestras and pop bands to jazz ensembles and improvisational work, David LaFlamme is best known as the violin and lead voice of the legendary San Francisco band It’s a Beautiful Day, whose debut album in 1969 produced the FM radio hits “White Bird” and “Hot Summer Day,” a powerful musical statement that has stood the test of time. » Read more
(Posted by Peter Thelen 2003-12-01)

Visions and Dreams —
The Edgar Froese Interview

To use an overused yet highly appropriate cliché, Edgar Froese is truly a man who needs no introduction. As founding member of the immensely successful band Tangerine Dream, he practically invented and defined a new genre of music, which still defies easy categorization. Whether you call it electronic music, electronic rock, space music, kraut rock, or (shudder) new age or whatever, Froese and one-time TD member Klaus Schulze were the true forerunners who would spawn a generation of loyal followers, fans who buy their music as well as musicians who strive to imitate their classic sound, particularly from their arguably most innovative period in the 70s and 80s. Now going over 35 years strong and with his son Jerome at the co-helm, Edgar was kind enough to take some time out of his busy schedule and answer a few questions for Exposé. » Read more
(Posted by Phil Derby 2003-12-01)