Exposé print issues (1993-2011)
Showing items 4811 to 4820 of 11649
It seems no matter how many times I listen to Butterfly Killer, it never seems to make sense as an album. The music is very scattered somehow, with elements that seem to be working at odds...
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Deep in the heart of Texas is a growing community of bands and musicians pushing the boundaries of music and rejuvenating progressive rock. Expose is in the forefront in elevating the visibility of these bands to our readership through reviews, sponsoring the now annual Voyager Fest, and band interviews. For this latest installment, I have had the pleasure of interviewing the mastermind behind the Aaron Clift Experiment, Aaron Clift himself in advance of the Holiday Charity Rocktacular on December 3, 2016. I would have preferred to sit down at one of Austin’s relaxed outdoor venues for this interview, but work forced me to conduct the interview via email. » Read more
In 2013 Record Collector magazine launched a new series of albums focused on labels they rated as “modern collectibles.” Righty they chose Fruits de Mer as their first release...
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Washington-based musician Brian Tewell Hughes is back with a full-length follow up to his 2012 EP, Angels and Machines. The good news is that the promise of that earlier offering has been...
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This Russian band’s name gives a clue about their musical interests. It is named, so they say, after a goddess from the mythology of Arctic peoples, a “malicious but dull-witted”...
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John Howard is a new name to me even though his musical career began in the mid-70s, went on hiatus in the mid-80s, and reignited in 2004. He has some 15-odd releases and Across the Door...
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Corazón Road is the musical diary of a trip to the Yucatán peninsula and Central America. Using tapes he made during this trip, Kristoff K.Roll processes them and combines...
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McLatchey's Second Tier
Roach had a lot of truly great ambient albums in the 90s, but I was particularly impressed by this Hearts of Space release. With Worlds End in...
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There’s nothing quite like the music of Steve Roach captured in a live setting. One may hear no audible applause, nothing else that might give away the fact that it was recorded live (in this...
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